{"id":1646,"date":"2018-10-18T21:25:04","date_gmt":"2018-10-18T14:25:04","guid":{"rendered":"http:\/\/www.cinemaoasis.com\/?p=1646"},"modified":"2019-01-11T22:56:28","modified_gmt":"2019-01-11T15:56:28","slug":"ps-gems-3","status":"publish","type":"post","link":"https:\/\/www.cinemaoasis.com\/en\/%e0%b9%84%e0%b8%a1%e0%b9%88%e0%b8%a1%e0%b8%b5%e0%b8%ab%e0%b8%a1%e0%b8%a7%e0%b8%94%e0%b8%ab%e0%b8%a1%e0%b8%b9%e0%b9%88\/ps-gems-3\/","title":{"rendered":"P&#8217;s Gems 3 : Wailings in the forest"},"content":{"rendered":"<p><img loading=\"lazy\" class=\"alignnone size-large wp-image-1647\" src=\"http:\/\/www.cinemaoasis.com\/wp-content\/uploads\/2018\/10\/P_WebBanner-03-1024x343.jpg\" alt=\"P_WebBanner-03\" width=\"800\" height=\"268\" srcset=\"https:\/\/www.cinemaoasis.com\/wp-content\/uploads\/2018\/10\/P_WebBanner-03-1024x343.jpg 1024w, https:\/\/www.cinemaoasis.com\/wp-content\/uploads\/2018\/10\/P_WebBanner-03-300x100.jpg 300w, https:\/\/www.cinemaoasis.com\/wp-content\/uploads\/2018\/10\/P_WebBanner-03-768x257.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" class=\"alignnone size-medium wp-image-1660 alignleft\" src=\"http:\/\/www.cinemaoasis.com\/wp-content\/uploads\/2018\/10\/w-212x300.jpg\" alt=\"w\" width=\"212\" height=\"300\" srcset=\"https:\/\/www.cinemaoasis.com\/wp-content\/uploads\/2018\/10\/w-212x300.jpg 212w, https:\/\/www.cinemaoasis.com\/wp-content\/uploads\/2018\/10\/w-768x1089.jpg 768w, https:\/\/www.cinemaoasis.com\/wp-content\/uploads\/2018\/10\/w-722x1024.jpg 722w\" sizes=\"(max-width: 212px) 100vw, 212px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<blockquote>\n<p style=\"text-align: left;\"><strong>Director\u2019s Talk with <strong>BAGANE FIOLA<\/strong><\/strong><\/p>\n<p style=\"text-align: left;\"><strong>Saturday 10 November 2018<\/strong><\/p>\n<p style=\"text-align: left;\"><strong>at 3:30 pm<\/strong><\/p>\n<p style=\"text-align: left;\">(Free, all welcome)<\/p>\n<\/blockquote>\n<p>&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>\u2018Wailings in the forest\u2019<\/strong><\/p>\n<p><em>105 mins,\u00a0Philippines &#8211;\u00a0English subtitles<\/em><\/p>\n<p>&nbsp;<\/p>\n<p>A former rebel commander in Mindanao told filmmaker Bagane Fiola a \u201cbeautiful and untamed\u201d fable of his Moro ancestors. From this seedling sprouted this freaky cinematic gem.<\/p>\n<p>Pressured by the imposing lifestyle and customs of the tribes of the plains, the last forest people of old cope with change. Brilliant, immersive and profound, sane and insane, deep in this wailing forest of a movie we seek our human past and find our human soul. It\u2019s incomprehensible how a film of such magnitude should remain overlooked by the world despite its lush beauty, darkest humour and lavish reviews (\u201c<em>It raises an existential question for the sanity of men.\u201d<\/em>\u00a0\u2013 Philip Cheah;\u00a0<em>\u201cJourney to the forest, a<\/em>\u00a0<em>journey to the past.\u201d<\/em>\u00a0\u2013 Rudolph Ian Alama). Perhaps because of its disturbing originality: when people have never seen something before and don\u2019t know what the \u2018cool\u2019 response should be, they just ignore it, to their great loss. Better surrender to the dark green magic, it\u2019s unmissable.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Director\u00a0 \u00a0 : BAGANE FIOLA<\/strong><\/p>\n<p><strong>Writer\u00a0 \u00a0 \u00a0 \u00a0: Bagane Fiola<br \/>\nProducer\u00a0 : Origane Films (Bagane Fiola) and QCinema<\/strong><\/p>\n<p><strong>Key Cast\u00a0 \u00a0: The Matigsalug Tribe of Davao City, Philippines<\/strong><\/p>\n<hr \/>\n<div class=\"Projects-sidebarHeader\"><\/div>\n<div class=\"Projects-sidebarHeader\"><strong>Director Statement<\/strong><\/div>\n<div data-press-kit-statement=\"\">\n<p>Early last year, I worked on an experimental documentary film. It was during the early phase of its production that the conception of &#8220;Wailings in the Forest&#8221; was developed. On our first day of shooting in Mindanao, the southern part of the Philippines, I was fortunate to have listened to a wonderful fable told by a former rebel commander. He seemed to have mastered the art of telling the story of his Moro ancestors, passed on through a lyrical poem sang in their native tongue to each generation before it was written in Arabic in the 50\u2019s. The first part of the fable really lingered in my mind. It is the story of the origin of their clan; how their first father was impassioned to wake up every night just to fall in love with a beautiful nymph, which only his eyes can see. To others, the nymph appears as a mere pig.<\/p>\n<p>Eventually the story flourished beyond what I could imagine. Until \u201cWailings in the Forest\u201d was produced, inspired by that wonderful fable.<\/p>\n<p>Though \u201cWailings in the Forest\u201d is a different story, I think it represents cultures beyond that of the Moros&#8217;, for boar hunting is a common practice of the Lumad (the indigenous people in Mindanao), such as that of the Matigsalug tribe.<\/p>\n<p>\u201cWailings in the Forest\u201d had its international premiere at the prestigious 46th International Film Festival Rotterdam. I commend the filmmakers who, for 17 days, over 400 hours, roamed and braved the rainforest of Maharlika\u2014one of the last forests in Mindanao\u2014to capture beautiful and untamed stories that nature has provided us. With the blessings of Manama (god) and the guidance of the tribes people, the Wailings in the Forest lives on as we share it to the world.<\/p>\n<p>&nbsp;<\/p>\n<\/div>\n<p><em><strong>Director Biography<\/strong><\/em><\/p>\n<p>Bagane Fiola is a Filipino filmmaker from Davao City. His latest film focuses on the survival of the Matigsalug tribe or the indigenous people in Mindanao&#8211;the southern part of the Philippines, and their struggle coping up with unusual changes in their environment. The film&#8217;s aesthetics explore the boundaries between a documentary and narrative film.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>AWARDS<br \/>\n<\/strong><br \/>\n&#8211; Winner of Special Newcomer Award at the 66th Internationales Filmfestival Mannheim-Heidelberg, Germany.<br \/>\n&#8211; Nominated for 5 major awards by the Manunuri ng Pelikulang Pilipino at the 40th Gawad Urian 2017, including Best Sound, Best Production Design, Best Cinematography, Best Director, and Best Picture.<br \/>\n&#8211; Winner of Best Cinematography and Visual Design cited by the Film Desk of the Young Critics Circle for the work of Raphael Meting and Mark Limbaga (Cinematography) and Joel Geolamen (Production design), 2017.<br \/>\n&#8211; Official Selection (non-competition) at the 46th International Film Festival Rotterdam, Netherlands<br \/>\n&#8211; Winner of the NETPAC Jury Prize and Best Artistic Contribution in Cinematography (Mark Limbaga &amp; Raphael Meting) at the 4th QCinema International Film Festival 2016<\/p>","protected":false},"excerpt":{"rendered":"<p>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; Director\u2019s Talk with BAGANE FIOLA Saturday 10 November 2018 at 3:30 pm (Free, all welcome) &#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212; &nbsp; \u2018Wailings in the forest\u2019 105 mins,\u00a0Philippines &#8211;\u00a0English subtitles &nbsp; A former rebel commander in Mindanao told filmmaker Bagane Fiola a \u201cbeautiful and untamed\u201d fable of his [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":1647,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0},"categories":[1],"tags":[],"_links":{"self":[{"href":"https:\/\/www.cinemaoasis.com\/en\/wp-json\/wp\/v2\/posts\/1646"}],"collection":[{"href":"https:\/\/www.cinemaoasis.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.cinemaoasis.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.cinemaoasis.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.cinemaoasis.com\/en\/wp-json\/wp\/v2\/comments?post=1646"}],"version-history":[{"count":13,"href":"https:\/\/www.cinemaoasis.com\/en\/wp-json\/wp\/v2\/posts\/1646\/revisions"}],"predecessor-version":[{"id":1731,"href":"https:\/\/www.cinemaoasis.com\/en\/wp-json\/wp\/v2\/posts\/1646\/revisions\/1731"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.cinemaoasis.com\/en\/wp-json\/wp\/v2\/media\/1647"}],"wp:attachment":[{"href":"https:\/\/www.cinemaoasis.com\/en\/wp-json\/wp\/v2\/media?parent=1646"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.cinemaoasis.com\/en\/wp-json\/wp\/v2\/categories?post=1646"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.cinemaoasis.com\/en\/wp-json\/wp\/v2\/tags?post=1646"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}