{"id":5234,"date":"2025-08-07T08:18:14","date_gmt":"2025-08-07T01:18:14","guid":{"rendered":"https:\/\/www.cinemaoasis.com\/?p=5234"},"modified":"2026-02-16T20:04:28","modified_gmt":"2026-02-16T13:04:28","slug":"labyrinth-under-cyclone","status":"publish","type":"post","link":"https:\/\/www.cinemaoasis.com\/en\/cinema\/labyrinth-under-cyclone\/","title":{"rendered":"Labyrinth Under Cyclone"},"content":{"rendered":"<p><img loading=\"lazy\" class=\"alignnone size-medium wp-image-5236 aligncenter\" src=\"https:\/\/www.cinemaoasis.com\/wp-content\/uploads\/2025\/08\/final-poster-LUC-2025-1-200x300.jpg\" alt=\"\" width=\"200\" height=\"300\" srcset=\"https:\/\/www.cinemaoasis.com\/wp-content\/uploads\/2025\/08\/final-poster-LUC-2025-1-200x300.jpg 200w, https:\/\/www.cinemaoasis.com\/wp-content\/uploads\/2025\/08\/final-poster-LUC-2025-1-683x1024.jpg 683w, https:\/\/www.cinemaoasis.com\/wp-content\/uploads\/2025\/08\/final-poster-LUC-2025-1-768x1152.jpg 768w, https:\/\/www.cinemaoasis.com\/wp-content\/uploads\/2025\/08\/final-poster-LUC-2025-1-1024x1536.jpg 1024w, https:\/\/www.cinemaoasis.com\/wp-content\/uploads\/2025\/08\/final-poster-LUC-2025-1-1365x2048.jpg 1365w, https:\/\/www.cinemaoasis.com\/wp-content\/uploads\/2025\/08\/final-poster-LUC-2025-1-scaled.jpg 1707w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/p>\n<h1 style=\"text-align: center;\"><b>Labyrinth Under Cyclone<\/b><\/h1>\n<h4 style=\"text-align: center;\">108 min.<\/h4>\n<p style=\"text-align: center;\">Thai (w\/Eng Sub)<\/p>\n<h3 style=\"text-align: center;\"><i>Achitaphon Piansukprasert<\/i><\/h3>\n<p style=\"text-align: center;\">.<\/p>\n<p style=\"text-align: center;\">\u201cThe tragedy of Artist and Musician in the Apocalypse and the poem of the Last Sorrow\u201d is director Achitaphon Piansukprasert\u2019s one-line description of his third film, \u2018Labyrinth Under Cyclone\u2019. The notoriously trippy director of \u2018Gagee, The Lady\u2019s Tale\u2019 and 2023 Golden Ganja winner \u2018Blood Rain\u2019 has finally made a movie with characters that actually speak, though there\u2019s no dialogue until the 21<sup>st<\/sup> minute (not counting the V\/O). Strong, beautiful images and textures are here a plenty, as before. If you enjoy staring at swirly shapes and don\u2019t mind flashes, then you\u2019re in good hands (if not, you won\u2019t survive) among the supermindscapes, the artist with moving mercurial paint, the mermaid\u2019s curse and the Darth Vader riff-off. Potentially a good date movie for getting to know someone. After watching it together you can argue over whether you find it pretentious or inspiring, and what, if anything, there might be to discover under the poetry and the grand visual texture.<span class=\"Apple-converted-space\">&nbsp;<\/span><\/p>\n<p style=\"text-align: center;\">.<\/p>\n<p style=\"text-align: center;\">\/\/&nbsp;<i>Alice Skinhead<\/i><\/p>\n<div dir=\"auto\" style=\"text-align: center;\">\n<div dir=\"auto\" style=\"text-align: center;\">&#8212;&#8212;&#8212;&#8212;&#8212;&#8211;<\/div>\n<\/div>\n<div dir=\"auto\" style=\"text-align: center;\">\n<h2 dir=\"auto\">Trailer l \u0e15\u0e31\u0e27\u0e2d\u0e22\u0e48\u0e32\u0e07\u0e2b\u0e19\u0e31\u0e07 :<\/h2>\n<h2 dir=\"auto\"><a href=\"https:\/\/youtu.be\/ooPyUQuI3N8\">https:\/\/youtu.be\/ooPyUQuI3N8<\/a><\/h2>\n<p>&#8212;&#8212;&#8212;&#8212;&#8212;&#8211;<\/p>\n<\/div>\n<p style=\"text-align: center;\">Ticket 160 Baht \/ Seat<\/p>\n<p style=\"text-align: center;\">[Tickets Available in front of the cinema]<\/p>\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>Labyrinth Under Cyclone 108 min. Thai (w\/Eng Sub) Achitaphon Piansukprasert . \u201cThe tragedy of Artist and Musician in the Apocalypse and the poem of the Last Sorrow\u201d is director Achitaphon Piansukprasert\u2019s one-line description of his third film, \u2018Labyrinth Under Cyclone\u2019. The notoriously trippy director of \u2018Gagee, The Lady\u2019s Tale\u2019 and 2023 Golden Ganja winner \u2018Blood [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":5236,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0},"categories":[51,43,7],"tags":[],"_links":{"self":[{"href":"https:\/\/www.cinemaoasis.com\/en\/wp-json\/wp\/v2\/posts\/5234"}],"collection":[{"href":"https:\/\/www.cinemaoasis.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.cinemaoasis.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.cinemaoasis.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.cinemaoasis.com\/en\/wp-json\/wp\/v2\/comments?post=5234"}],"version-history":[{"count":3,"href":"https:\/\/www.cinemaoasis.com\/en\/wp-json\/wp\/v2\/posts\/5234\/revisions"}],"predecessor-version":[{"id":5249,"href":"https:\/\/www.cinemaoasis.com\/en\/wp-json\/wp\/v2\/posts\/5234\/revisions\/5249"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.cinemaoasis.com\/en\/wp-json\/wp\/v2\/media\/5236"}],"wp:attachment":[{"href":"https:\/\/www.cinemaoasis.com\/en\/wp-json\/wp\/v2\/media?parent=5234"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.cinemaoasis.com\/en\/wp-json\/wp\/v2\/categories?post=5234"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.cinemaoasis.com\/en\/wp-json\/wp\/v2\/tags?post=5234"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}