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<\/span><\/span><\/span><\/div>\n20 \u2013 23 November 2025<\/h1>\nat Cinema Oasis in Bangkok, Thailand<\/div>\n__________________________________<\/div>\n <\/div>\n<\/div>\nAmazing Stoner Movie Manifesto<\/h3>\nWhat is a stoner movie?This was the Golden Ganja question as we watched the exotic entries one after another. It\u2019s not just the dude stuff or the trippy images with disassociated dialogue. It dawned on us that what makes a film a stoner movie is its sense of reality, a certain observational distance\u2014Zen detachment. They don\u2019t all show ganja on screen or even touch on weed culture, but they all have in common the state of being stoned.The point being: If contemporary consensus reality with its abusive half-truths is clearly losing its mind, artists, filmmakers and cinephiles have the right\u2014even the dharma\u2014to subvert and shatter that cherished mirage.All we weed is love.<\/div>\n.<\/div>\nDr Alice Skinhead<\/strong><\/div>\n.
\nprogrammer<\/div>\n__________________________________<\/div>\n.<\/div>\n\nLove Is All We Weed To Heal The World<\/i><\/b><\/p>\n
Existential anxieties are peaking among some very angry women, vengeful men, raging artists, <\/span>claustrophobic Thais and one very wronged Indian dwarf, according to this year\u2019s 59 films from across the world. Crazed and silly many of them may be; their very silliness is an eruption of suppressed truth, to make us laugh, cry and sing out our pain, and so end our zombification. <\/span><\/p>\n.<\/p>\n
The music of the spheres is humming a dark note, and not just over Gaza. For Thai ganchachon, it\u2019s the insecurity of our legal status. Heroic activists from Thailand\u2019s Cannabis Future Network will address this confusion in a talk on<\/p>\n
Saturday 22 November: \u2018Thai Ganja: Boom or Bust?\u2019<\/p>\n
All points of view are welcome. To heal the world, Love is All We Weed.<\/p>\n
>>> A Talk on \u2018THAI GANJA: BOOM or BUST?\u2019 <<<<\/strong><\/a><\/h2>\n.<\/p>\n
![\"\"](\"https:\/\/www.cinemaoasis.com\/wp-content\/uploads\/2025\/11\/ThaiGanjaBoomorBust-copy-300x300.jpg\")
<\/p>\n<\/div>\n
\n__________________________________<\/div>\n <\/div>\n<\/div>\n\nWe’re screening movies in 2 areas :<\/strong><\/div>\nIndoor and Outdoor.<\/div>\n.<\/div>\n<\/span>Indoor (in the cinema) :<\/strong><\/div>\nTicket 160 THB<\/div>\nDay pass 420 THB<\/div>\n*Tickets Available at the cinema*<\/div>\n <\/div>\n<\/span>Outdoor (Screenings in Atrium Post-Sunset) :<\/strong><\/div>\nFREE !!!!<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n__________________________________<\/div>\n<\/div>\n\n\n\n\n\n\n.<\/div>\n<\/div>\n\nIn 2019, the Golden Ganja for Best Stoner Movie went to <\/span><\/p>\n\u2018SuperpsychoCebu\u2019 by Filipino director Christian Linaban.<\/h4>\n
.<\/p>\n
In 2022, Brazilian Kung Fu movie<\/p>\n
\u2018The Smoke Master\u2019 by Andre Sigwalt & Augusto Soares<\/h4>\n
won the Golden Ganja.<\/p>\n
.<\/p>\n
2023 saw the first Thai winner of the Golden Ganja, <\/span><\/p>\n\u2018Blood Rain\u2019 by Achitaphon Piansukprasert.<\/h4>\n
.<\/p>\n
In 2024, The Golden Ganja went to<\/p>\n
‘Bionico’s Bachata’ by Yoel Morales.<\/strong><\/h4>\n.<\/p>\n
Who will win the Golden Ganja and USD 1,000 <\/span><\/h3>\nat the 5th Amazing Stoner Movie Fest?<\/h3>\n
Who will win the Baby Golden Ganja and 5,000 Thai baht <\/span><\/p>\nfor Best Stoner Short Film?<\/p>\n
.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
\nSchedule<\/h1>\n\n\n\n \t\t\n\t\t\t\t\n\t\t\t\t \n \n 10 Features<\/h1>\n
\n\n\n \t\t\n\t\t\t\t\n\t\t\t\t \n \n
Amazing Stoner Movie Manifesto<\/h3>\nWhat is a stoner movie?This was the Golden Ganja question as we watched the exotic entries one after another. It\u2019s not just the dude stuff or the trippy images with disassociated dialogue. It dawned on us that what makes a film a stoner movie is its sense of reality, a certain observational distance\u2014Zen detachment. They don\u2019t all show ganja on screen or even touch on weed culture, but they all have in common the state of being stoned.The point being: If contemporary consensus reality with its abusive half-truths is clearly losing its mind, artists, filmmakers and cinephiles have the right\u2014even the dharma\u2014to subvert and shatter that cherished mirage.All we weed is love.<\/div>\n.<\/div>\nDr Alice Skinhead<\/strong><\/div>\n.
\nprogrammer<\/div>\n__________________________________<\/div>\n.<\/div>\n\nLove Is All We Weed To Heal The World<\/i><\/b><\/p>\n
Existential anxieties are peaking among some very angry women, vengeful men, raging artists, <\/span>claustrophobic Thais and one very wronged Indian dwarf, according to this year\u2019s 59 films from across the world. Crazed and silly many of them may be; their very silliness is an eruption of suppressed truth, to make us laugh, cry and sing out our pain, and so end our zombification. <\/span><\/p>\n.<\/p>\n
The music of the spheres is humming a dark note, and not just over Gaza. For Thai ganchachon, it\u2019s the insecurity of our legal status. Heroic activists from Thailand\u2019s Cannabis Future Network will address this confusion in a talk on<\/p>\n
Saturday 22 November: \u2018Thai Ganja: Boom or Bust?\u2019<\/p>\n
All points of view are welcome. To heal the world, Love is All We Weed.<\/p>\n
>>> A Talk on \u2018THAI GANJA: BOOM or BUST?\u2019 <<<<\/strong><\/a><\/h2>\n.<\/p>\n
<\/p>\n<\/div>\n
\n__________________________________<\/div>\n <\/div>\n<\/div>\n\nWe’re screening movies in 2 areas :<\/strong><\/div>\nIndoor and Outdoor.<\/div>\n.<\/div>\n<\/span>Indoor (in the cinema) :<\/strong><\/div>\nTicket 160 THB<\/div>\nDay pass 420 THB<\/div>\n*Tickets Available at the cinema*<\/div>\n <\/div>\n<\/span>Outdoor (Screenings in Atrium Post-Sunset) :<\/strong><\/div>\nFREE !!!!<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n__________________________________<\/div>\n<\/div>\n\n\n\n\n\n\n.<\/div>\n<\/div>\n\nIn 2019, the Golden Ganja for Best Stoner Movie went to <\/span><\/p>\n\u2018SuperpsychoCebu\u2019 by Filipino director Christian Linaban.<\/h4>\n
.<\/p>\n
In 2022, Brazilian Kung Fu movie<\/p>\n
\u2018The Smoke Master\u2019 by Andre Sigwalt & Augusto Soares<\/h4>\n
won the Golden Ganja.<\/p>\n
.<\/p>\n
2023 saw the first Thai winner of the Golden Ganja, <\/span><\/p>\n\u2018Blood Rain\u2019 by Achitaphon Piansukprasert.<\/h4>\n
.<\/p>\n
In 2024, The Golden Ganja went to<\/p>\n
‘Bionico’s Bachata’ by Yoel Morales.<\/strong><\/h4>\n.<\/p>\n
Who will win the Golden Ganja and USD 1,000 <\/span><\/h3>\nat the 5th Amazing Stoner Movie Fest?<\/h3>\n
Who will win the Baby Golden Ganja and 5,000 Thai baht <\/span><\/p>\nfor Best Stoner Short Film?<\/p>\n
.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
\nSchedule<\/h1>\n\n\n\n \t\t\n\t\t\t\t\n\t\t\t\t \n \n 10 Features<\/h1>\n
\n\n\n \t\t\n\t\t\t\t\n\t\t\t\t \n \n
\nprogrammer<\/div>\n
Love Is All We Weed To Heal The World<\/i><\/b><\/p>\n
Existential anxieties are peaking among some very angry women, vengeful men, raging artists, <\/span>claustrophobic Thais and one very wronged Indian dwarf, according to this year\u2019s 59 films from across the world. Crazed and silly many of them may be; their very silliness is an eruption of suppressed truth, to make us laugh, cry and sing out our pain, and so end our zombification. <\/span><\/p>\n .<\/p>\n The music of the spheres is humming a dark note, and not just over Gaza. For Thai ganchachon, it\u2019s the insecurity of our legal status. Heroic activists from Thailand\u2019s Cannabis Future Network will address this confusion in a talk on<\/p>\n Saturday 22 November: \u2018Thai Ganja: Boom or Bust?\u2019<\/p>\n All points of view are welcome. To heal the world, Love is All We Weed.<\/p>\n .<\/p>\n In 2019, the Golden Ganja for Best Stoner Movie went to <\/span><\/p>\n .<\/p>\n In 2022, Brazilian Kung Fu movie<\/p>\n won the Golden Ganja.<\/p>\n .<\/p>\n 2023 saw the first Thai winner of the Golden Ganja, <\/span><\/p>\n .<\/p>\n In 2024, The Golden Ganja went to<\/p>\n .<\/p>\n Who will win the Baby Golden Ganja and 5,000 Thai baht <\/span><\/p>\n for Best Stoner Short Film?<\/p>\n .<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n \n>>> A Talk on \u2018THAI GANJA: BOOM or BUST?\u2019 <<<<\/strong><\/a><\/h2>\n
<\/p>\n<\/div>\n<\/span>Indoor (in the cinema) :<\/strong><\/div>\n<\/span>Outdoor (Screenings in Atrium Post-Sunset) :<\/strong><\/div>\n\u2018SuperpsychoCebu\u2019 by Filipino director Christian Linaban.<\/h4>\n
\u2018The Smoke Master\u2019 by Andre Sigwalt & Augusto Soares<\/h4>\n
\u2018Blood Rain\u2019 by Achitaphon Piansukprasert.<\/h4>\n
‘Bionico’s Bachata’ by Yoel Morales.<\/strong><\/h4>\n
Who will win the Golden Ganja and USD 1,000 <\/span><\/h3>\n
at the 5th Amazing Stoner Movie Fest?<\/h3>\n
Schedule<\/h1>\n\n
10 Features<\/h1>\n
![\n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\t\t\n\t\t\t\t \n \n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\t\t\n\t\t\t\t \n \n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\t\t\n\t\t\t\t \n \n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\t\t\n\t\t\t\t \n \n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\t\t\n\t\t\t\t \n \n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\n\t\t\n\t<\/div>\t<\/div>\n\n10 Features<\/h1>\n\n\n\n \t\t\n\t\t\t\t\n\t\t\t\t \n \n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\t\t\n\t\t\t\t \n \n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\t\t\n\t\t\t\t \n \n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\t\t\n\t\t\t\t \n \n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\t\t\n\t\t\t\t \n \n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\t\t\n\t\t\t\t \n \n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\t\t\n\t\t\t\t \n \n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\t\t\n\t\t\t\t \n \n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\t\t\n\t\t\t\t \n \n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\t\t\n\t\t\t\t \n \n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\t\t\n\t\t\t\t \n \n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\n\t\t\n\t<\/div>\t<\/div>\n____________________________________________________________<\/p><\/div>\nAdhura Khvaab<\/b><\/h3>\nIndia<\/i><\/div>\n110 min<\/i><\/div>\nFaizuddin Siddiqui<\/i><\/div>\n <\/div>\nIt doesn\u2019t sound like it but it\u2019s a total stoner movie because of the spectacular apparently True Story ending. Nasty mother-in-law from hell abetted by brat daughter browbeats daughter-in law Ruby \u201cthe barren girl\u201d and urges her son to take another, fertile wife as his religion permits. But he loves her. Despite the life insurance commercial treacly piano, despite the IVF song, it keeps us watching, mesmerised by hysteria and intensity as grief piles upon outrage after outrage and Ruby is taken into the mafia mansion in full chador with only her eyes, in full panic, visible.<\/div>\n____________________________________________________________<\/div>\nBUGSYDER: The Crazy Hero<\/b><\/h3>\nThai<\/i><\/div>\n92 min<\/i><\/div>\nTheppanom Piriyaworakul<\/i><\/div>\n <\/div>\nThe humour, the anarchy, the glorious fun\u2014its tagline says it all: \u201cOf the Psycho Who Steals Underwear\u201d. Total absurdity right off the bat, as a suited pervert harassing stewardesses in a white aeroplane suddenly finds himself dropped among buffaloes in a field in Isan. Iconic Isan farang movie star Martin Wheeler is the village headman who can\u2019t live without inhaling his wife\u2019s cleavage. Despite the cartoonish, sped-up and silly veneer, it has strong resonance, as in the psycho freak-out scene amidst ancient ruins. Plus the cast of great faces, the acting, the camera placement and editing in this shoestring movie outshine most big budget Thai films.<\/div>\n\n____________________________________________________________<\/div>\n<\/div>\nChainsaws Were Singing<\/b><\/h3>\nEstonia<\/i><\/div>\n117 min<\/i><\/div>\nSander Maran<\/i><\/div>\n <\/div>\nThe Texas Chainsaw Massacre has spawned many exotic offspring, but this has got to be one of the best, plus it\u2019s a musical. The shift from dialogue to verse to song is faultlessly done. The humour is black, brutal and disgusting; the 2 shitty cops are priceless. The lingering question: to a cannibal, does hippie meat really taste of weed?<\/div>\n\n____________________________________________________________<\/div>\n<\/div>\nDead White & Blue<\/b><\/h3>\nUS<\/i><\/div>\n124 min<\/i><\/div>\nMike Davis<\/i><\/div>\n <\/div>\nThis sublimely inventive satire of propaganda film starts with black boys watching a KKK recruitment ad (\u201cNo more white sheets, the New Klan in active wear with style and technology..\u201d) and blooms into a military plan to use a Sioux sacred ceremony to shrink a whole army to battle the KKK inside a dead black man\u2019s body. Much of it is freely-dubbed old video tape footage, a pseudo-doc a la Pink Flamingo with deadpan dialogue and 1970\u2019s clothes.<\/div>\n\n____________________________________________________________<\/div>\n<\/div>\nDuck Rabbit<\/b><\/h3>\nUS<\/i><\/div>\n116 min<\/i><\/div>\nMichael Lee<\/i><\/div>\n <\/div>\n\nAfter drinking psychedelic tea, 3 women take forever to deliver a prop sofa to the village playhouse, ruled by a pompous wannabe Shakespearean. The lemonade kid is one nasty character. Some excellent stoner scenes including The Lost Chicken crossing the road to Ride of the Valkyrie<\/i>.<\/p>\n____________________________________________________________<\/div>\n<\/div>\nKuppan<\/b><\/h3>\nIndia<\/i><\/div>\n137 min<\/i><\/div>\nSasikumar S<\/i>.<\/i><\/div>\n <\/div>\nA low-cast dwarf street drummer\u2014lowest of the low, is accused of raping and beheading his own angelic daughter. <\/span>Sort of Tamil Masala Western with Bollywood villains and powerful songs, this disturbing witch-hunt of a moral-horror movie is not stylish-slick but has visual power and many unforgettable scenes. Plots, subplots, twists and turns; the English subtitles are too quick, but we don\u2019t care as we take in the intensity\u2014the brutality, the insanity, the tyranny. The songs are wonderful, especially the monstrous Pigeon Dance Man\u2019s macabre pre-rape signature tune.<\/div>\n\n____________________________________________________________<\/div>\n<\/div>\nNext<\/b><\/h3>\nUS<\/i><\/div>\n98 min<\/i><\/div>\nBrad Cook<\/i><\/div>\n <\/div>\nThe brainworm guy finds a camera at the bus stop and with his fat woman friend (lovely chemistry; great hotdog eating scene) decide to save people by filming them, thereby capturing their pain which they bless and bury in the ground along with the memory card. But in the woods they also find cash tied to bits of corpses\u2014tossed from a celebrity artist\u2019s studio full of spooky hooded mannequins. Mum issues on steroids.<\/div>\n\n____________________________________________________________<\/div>\n<\/div>\nPariah to Profit: Accepting the Power of Marijuana<\/b><\/h3>\nUS<\/i><\/div>\n63 min, documentary<\/i><\/div>\nJesse Tunison, Natec Linda Penn<\/i><\/div>\n <\/div>\nMarijuana is the least toxic substance in all pharmacology; the longest available medicine that we know of from prehistoric times, says one doctor from Harvard Medical School. \u201cThat is not a drug. It\u2019s a leaf,\u201d says California governor Arnold Schwarzenegger. It\u2019s a very technical but utterly absorbing lecture that really makes you feel the total obscenity and absurdity of banning and demonizing the Kind Medicine. The end credits over weed being ground down is very appetizing, shall we say. (BB: \u201cThe best medical marijuana documentary I\u2019ve ever seen.\u201d)<\/div>\n\n____________________________________________________________<\/div>\n<\/div>\nTransference<\/b><\/h3>\nUS<\/i><\/div>\n102 min<\/i><\/div>\nZeph E Daniel<\/i><\/div>\n <\/div>\nThe screening notes drip with blood: \u201cSex and gore fest, interesting. Everyone in the film seems to have uncontrollable sex drives.\u201d An oppressed Hispanic immigrant nurse looks after a sick rich woman, bringing her back to life from near-death. Class rage, sex rage, abusive ex-husbands, lesbian menage a trois in an ocean-view house in Hawaii, as lives, and perhaps bodies, are taken over in disturbing ways.<\/div>\n\n____________________________________________________________<\/div>\n<\/div>\nWhiskey Dixie & The Big Wet Country<\/b><\/h3>\nUS<\/i><\/div>\n114 min<\/i><\/div>\nAmanda Richards<\/i><\/div>\n <\/div>\n\u201cAn over-the-top sex-positive musical comedy,\u201d is how the film\u2019s director, composer and star Amanda Richards describes it. Yes, it\u2019s another crazy musical. Woman in red dress driving a red open sportscar with a dildo inside her sings the opening number: \u201cComing at high speed!\u201d While it projects itself as a tacky porno movie, the songs, including the one about premature ejaculation and the love theme \u2018Fuck this night!\u2019 are so amazing that we buy it totally, even if the dialogue scenes and the DP can\u2019t measure up. <\/span><\/div>\n____________________________________________________________<\/div>\n](\"https:\/\/www.cinemaoasis.com\/wp-content\/gallery\/asmf05_schedule\/Schedule-03.jpg\"\n){kind=link}
![\n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\t\t\n\t\t\t\t \n \n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\t\t\n\t\t\t\t \n \n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\t\t\n\t\t\t\t \n \n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\t\t\n\t\t\t\t \n \n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\n\t\t\n\t<\/div>\t<\/div>\n\n10 Features<\/h1>\n\n\n\n \t\t\n\t\t\t\t\n\t\t\t\t \n \n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\t\t\n\t\t\t\t \n \n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\t\t\n\t\t\t\t \n \n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\t\t\n\t\t\t\t \n \n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\t\t\n\t\t\t\t \n \n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\t\t\n\t\t\t\t \n \n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\t\t\n\t\t\t\t \n \n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\t\t\n\t\t\t\t \n \n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\t\t\n\t\t\t\t \n \n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\t\t\n\t\t\t\t \n \n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\t\t\n\t\t\t\t \n \n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\n\t\t\n\t<\/div>\t<\/div>\n____________________________________________________________<\/p><\/div>\nAdhura Khvaab<\/b><\/h3>\nIndia<\/i><\/div>\n110 min<\/i><\/div>\nFaizuddin Siddiqui<\/i><\/div>\n <\/div>\nIt doesn\u2019t sound like it but it\u2019s a total stoner movie because of the spectacular apparently True Story ending. Nasty mother-in-law from hell abetted by brat daughter browbeats daughter-in law Ruby \u201cthe barren girl\u201d and urges her son to take another, fertile wife as his religion permits. But he loves her. Despite the life insurance commercial treacly piano, despite the IVF song, it keeps us watching, mesmerised by hysteria and intensity as grief piles upon outrage after outrage and Ruby is taken into the mafia mansion in full chador with only her eyes, in full panic, visible.<\/div>\n____________________________________________________________<\/div>\nBUGSYDER: The Crazy Hero<\/b><\/h3>\nThai<\/i><\/div>\n92 min<\/i><\/div>\nTheppanom Piriyaworakul<\/i><\/div>\n <\/div>\nThe humour, the anarchy, the glorious fun\u2014its tagline says it all: \u201cOf the Psycho Who Steals Underwear\u201d. Total absurdity right off the bat, as a suited pervert harassing stewardesses in a white aeroplane suddenly finds himself dropped among buffaloes in a field in Isan. Iconic Isan farang movie star Martin Wheeler is the village headman who can\u2019t live without inhaling his wife\u2019s cleavage. Despite the cartoonish, sped-up and silly veneer, it has strong resonance, as in the psycho freak-out scene amidst ancient ruins. Plus the cast of great faces, the acting, the camera placement and editing in this shoestring movie outshine most big budget Thai films.<\/div>\n\n____________________________________________________________<\/div>\n<\/div>\nChainsaws Were Singing<\/b><\/h3>\nEstonia<\/i><\/div>\n117 min<\/i><\/div>\nSander Maran<\/i><\/div>\n <\/div>\nThe Texas Chainsaw Massacre has spawned many exotic offspring, but this has got to be one of the best, plus it\u2019s a musical. The shift from dialogue to verse to song is faultlessly done. The humour is black, brutal and disgusting; the 2 shitty cops are priceless. The lingering question: to a cannibal, does hippie meat really taste of weed?<\/div>\n\n____________________________________________________________<\/div>\n<\/div>\nDead White & Blue<\/b><\/h3>\nUS<\/i><\/div>\n124 min<\/i><\/div>\nMike Davis<\/i><\/div>\n <\/div>\nThis sublimely inventive satire of propaganda film starts with black boys watching a KKK recruitment ad (\u201cNo more white sheets, the New Klan in active wear with style and technology..\u201d) and blooms into a military plan to use a Sioux sacred ceremony to shrink a whole army to battle the KKK inside a dead black man\u2019s body. Much of it is freely-dubbed old video tape footage, a pseudo-doc a la Pink Flamingo with deadpan dialogue and 1970\u2019s clothes.<\/div>\n\n____________________________________________________________<\/div>\n<\/div>\nDuck Rabbit<\/b><\/h3>\nUS<\/i><\/div>\n116 min<\/i><\/div>\nMichael Lee<\/i><\/div>\n <\/div>\n\nAfter drinking psychedelic tea, 3 women take forever to deliver a prop sofa to the village playhouse, ruled by a pompous wannabe Shakespearean. The lemonade kid is one nasty character. Some excellent stoner scenes including The Lost Chicken crossing the road to Ride of the Valkyrie<\/i>.<\/p>\n____________________________________________________________<\/div>\n<\/div>\nKuppan<\/b><\/h3>\nIndia<\/i><\/div>\n137 min<\/i><\/div>\nSasikumar S<\/i>.<\/i><\/div>\n <\/div>\nA low-cast dwarf street drummer\u2014lowest of the low, is accused of raping and beheading his own angelic daughter. <\/span>Sort of Tamil Masala Western with Bollywood villains and powerful songs, this disturbing witch-hunt of a moral-horror movie is not stylish-slick but has visual power and many unforgettable scenes. Plots, subplots, twists and turns; the English subtitles are too quick, but we don\u2019t care as we take in the intensity\u2014the brutality, the insanity, the tyranny. The songs are wonderful, especially the monstrous Pigeon Dance Man\u2019s macabre pre-rape signature tune.<\/div>\n\n____________________________________________________________<\/div>\n<\/div>\nNext<\/b><\/h3>\nUS<\/i><\/div>\n98 min<\/i><\/div>\nBrad Cook<\/i><\/div>\n <\/div>\nThe brainworm guy finds a camera at the bus stop and with his fat woman friend (lovely chemistry; great hotdog eating scene) decide to save people by filming them, thereby capturing their pain which they bless and bury in the ground along with the memory card. But in the woods they also find cash tied to bits of corpses\u2014tossed from a celebrity artist\u2019s studio full of spooky hooded mannequins. Mum issues on steroids.<\/div>\n\n____________________________________________________________<\/div>\n<\/div>\nPariah to Profit: Accepting the Power of Marijuana<\/b><\/h3>\nUS<\/i><\/div>\n63 min, documentary<\/i><\/div>\nJesse Tunison, Natec Linda Penn<\/i><\/div>\n <\/div>\nMarijuana is the least toxic substance in all pharmacology; the longest available medicine that we know of from prehistoric times, says one doctor from Harvard Medical School. \u201cThat is not a drug. It\u2019s a leaf,\u201d says California governor Arnold Schwarzenegger. It\u2019s a very technical but utterly absorbing lecture that really makes you feel the total obscenity and absurdity of banning and demonizing the Kind Medicine. The end credits over weed being ground down is very appetizing, shall we say. (BB: \u201cThe best medical marijuana documentary I\u2019ve ever seen.\u201d)<\/div>\n\n____________________________________________________________<\/div>\n<\/div>\nTransference<\/b><\/h3>\nUS<\/i><\/div>\n102 min<\/i><\/div>\nZeph E Daniel<\/i><\/div>\n <\/div>\nThe screening notes drip with blood: \u201cSex and gore fest, interesting. Everyone in the film seems to have uncontrollable sex drives.\u201d An oppressed Hispanic immigrant nurse looks after a sick rich woman, bringing her back to life from near-death. Class rage, sex rage, abusive ex-husbands, lesbian menage a trois in an ocean-view house in Hawaii, as lives, and perhaps bodies, are taken over in disturbing ways.<\/div>\n\n____________________________________________________________<\/div>\n<\/div>\nWhiskey Dixie & The Big Wet Country<\/b><\/h3>\nUS<\/i><\/div>\n114 min<\/i><\/div>\nAmanda Richards<\/i><\/div>\n <\/div>\n\u201cAn over-the-top sex-positive musical comedy,\u201d is how the film\u2019s director, composer and star Amanda Richards describes it. Yes, it\u2019s another crazy musical. Woman in red dress driving a red open sportscar with a dildo inside her sings the opening number: \u201cComing at high speed!\u201d While it projects itself as a tacky porno movie, the songs, including the one about premature ejaculation and the love theme \u2018Fuck this night!\u2019 are so amazing that we buy it totally, even if the dialogue scenes and the DP can\u2019t measure up. <\/span><\/div>\n____________________________________________________________<\/div>\n](\"https:\/\/www.cinemaoasis.com\/wp-content\/gallery\/asmf05_schedule\/Schedule-04.jpg\"\n){kind=link}
![\n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\t\t\n\t\t\t\t \n \n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\t\t\n\t\t\t\t \n \n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\t\t\n\t\t\t\t \n \n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\n\t\t\n\t<\/div>\t<\/div>\n\n10 Features<\/h1>\n\n\n\n \t\t\n\t\t\t\t\n\t\t\t\t \n \n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\t\t\n\t\t\t\t \n \n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\t\t\n\t\t\t\t \n \n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\t\t\n\t\t\t\t \n \n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\t\t\n\t\t\t\t \n \n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\t\t\n\t\t\t\t \n \n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\t\t\n\t\t\t\t \n \n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\t\t\n\t\t\t\t \n \n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\t\t\n\t\t\t\t \n \n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\t\t\n\t\t\t\t \n \n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\t\t\n\t\t\t\t \n \n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\n\t\t\n\t<\/div>\t<\/div>\n____________________________________________________________<\/p><\/div>\nAdhura Khvaab<\/b><\/h3>\nIndia<\/i><\/div>\n110 min<\/i><\/div>\nFaizuddin Siddiqui<\/i><\/div>\n <\/div>\nIt doesn\u2019t sound like it but it\u2019s a total stoner movie because of the spectacular apparently True Story ending. Nasty mother-in-law from hell abetted by brat daughter browbeats daughter-in law Ruby \u201cthe barren girl\u201d and urges her son to take another, fertile wife as his religion permits. But he loves her. Despite the life insurance commercial treacly piano, despite the IVF song, it keeps us watching, mesmerised by hysteria and intensity as grief piles upon outrage after outrage and Ruby is taken into the mafia mansion in full chador with only her eyes, in full panic, visible.<\/div>\n____________________________________________________________<\/div>\nBUGSYDER: The Crazy Hero<\/b><\/h3>\nThai<\/i><\/div>\n92 min<\/i><\/div>\nTheppanom Piriyaworakul<\/i><\/div>\n <\/div>\nThe humour, the anarchy, the glorious fun\u2014its tagline says it all: \u201cOf the Psycho Who Steals Underwear\u201d. Total absurdity right off the bat, as a suited pervert harassing stewardesses in a white aeroplane suddenly finds himself dropped among buffaloes in a field in Isan. Iconic Isan farang movie star Martin Wheeler is the village headman who can\u2019t live without inhaling his wife\u2019s cleavage. Despite the cartoonish, sped-up and silly veneer, it has strong resonance, as in the psycho freak-out scene amidst ancient ruins. Plus the cast of great faces, the acting, the camera placement and editing in this shoestring movie outshine most big budget Thai films.<\/div>\n\n____________________________________________________________<\/div>\n<\/div>\nChainsaws Were Singing<\/b><\/h3>\nEstonia<\/i><\/div>\n117 min<\/i><\/div>\nSander Maran<\/i><\/div>\n <\/div>\nThe Texas Chainsaw Massacre has spawned many exotic offspring, but this has got to be one of the best, plus it\u2019s a musical. The shift from dialogue to verse to song is faultlessly done. The humour is black, brutal and disgusting; the 2 shitty cops are priceless. The lingering question: to a cannibal, does hippie meat really taste of weed?<\/div>\n\n____________________________________________________________<\/div>\n<\/div>\nDead White & Blue<\/b><\/h3>\nUS<\/i><\/div>\n124 min<\/i><\/div>\nMike Davis<\/i><\/div>\n <\/div>\nThis sublimely inventive satire of propaganda film starts with black boys watching a KKK recruitment ad (\u201cNo more white sheets, the New Klan in active wear with style and technology..\u201d) and blooms into a military plan to use a Sioux sacred ceremony to shrink a whole army to battle the KKK inside a dead black man\u2019s body. Much of it is freely-dubbed old video tape footage, a pseudo-doc a la Pink Flamingo with deadpan dialogue and 1970\u2019s clothes.<\/div>\n\n____________________________________________________________<\/div>\n<\/div>\nDuck Rabbit<\/b><\/h3>\nUS<\/i><\/div>\n116 min<\/i><\/div>\nMichael Lee<\/i><\/div>\n <\/div>\n\nAfter drinking psychedelic tea, 3 women take forever to deliver a prop sofa to the village playhouse, ruled by a pompous wannabe Shakespearean. The lemonade kid is one nasty character. Some excellent stoner scenes including The Lost Chicken crossing the road to Ride of the Valkyrie<\/i>.<\/p>\n____________________________________________________________<\/div>\n<\/div>\nKuppan<\/b><\/h3>\nIndia<\/i><\/div>\n137 min<\/i><\/div>\nSasikumar S<\/i>.<\/i><\/div>\n <\/div>\nA low-cast dwarf street drummer\u2014lowest of the low, is accused of raping and beheading his own angelic daughter. <\/span>Sort of Tamil Masala Western with Bollywood villains and powerful songs, this disturbing witch-hunt of a moral-horror movie is not stylish-slick but has visual power and many unforgettable scenes. Plots, subplots, twists and turns; the English subtitles are too quick, but we don\u2019t care as we take in the intensity\u2014the brutality, the insanity, the tyranny. The songs are wonderful, especially the monstrous Pigeon Dance Man\u2019s macabre pre-rape signature tune.<\/div>\n\n____________________________________________________________<\/div>\n<\/div>\nNext<\/b><\/h3>\nUS<\/i><\/div>\n98 min<\/i><\/div>\nBrad Cook<\/i><\/div>\n <\/div>\nThe brainworm guy finds a camera at the bus stop and with his fat woman friend (lovely chemistry; great hotdog eating scene) decide to save people by filming them, thereby capturing their pain which they bless and bury in the ground along with the memory card. But in the woods they also find cash tied to bits of corpses\u2014tossed from a celebrity artist\u2019s studio full of spooky hooded mannequins. Mum issues on steroids.<\/div>\n\n____________________________________________________________<\/div>\n<\/div>\nPariah to Profit: Accepting the Power of Marijuana<\/b><\/h3>\nUS<\/i><\/div>\n63 min, documentary<\/i><\/div>\nJesse Tunison, Natec Linda Penn<\/i><\/div>\n <\/div>\nMarijuana is the least toxic substance in all pharmacology; the longest available medicine that we know of from prehistoric times, says one doctor from Harvard Medical School. \u201cThat is not a drug. It\u2019s a leaf,\u201d says California governor Arnold Schwarzenegger. It\u2019s a very technical but utterly absorbing lecture that really makes you feel the total obscenity and absurdity of banning and demonizing the Kind Medicine. The end credits over weed being ground down is very appetizing, shall we say. (BB: \u201cThe best medical marijuana documentary I\u2019ve ever seen.\u201d)<\/div>\n\n____________________________________________________________<\/div>\n<\/div>\nTransference<\/b><\/h3>\nUS<\/i><\/div>\n102 min<\/i><\/div>\nZeph E Daniel<\/i><\/div>\n <\/div>\nThe screening notes drip with blood: \u201cSex and gore fest, interesting. Everyone in the film seems to have uncontrollable sex drives.\u201d An oppressed Hispanic immigrant nurse looks after a sick rich woman, bringing her back to life from near-death. Class rage, sex rage, abusive ex-husbands, lesbian menage a trois in an ocean-view house in Hawaii, as lives, and perhaps bodies, are taken over in disturbing ways.<\/div>\n\n____________________________________________________________<\/div>\n<\/div>\nWhiskey Dixie & The Big Wet Country<\/b><\/h3>\nUS<\/i><\/div>\n114 min<\/i><\/div>\nAmanda Richards<\/i><\/div>\n <\/div>\n\u201cAn over-the-top sex-positive musical comedy,\u201d is how the film\u2019s director, composer and star Amanda Richards describes it. Yes, it\u2019s another crazy musical. Woman in red dress driving a red open sportscar with a dildo inside her sings the opening number: \u201cComing at high speed!\u201d While it projects itself as a tacky porno movie, the songs, including the one about premature ejaculation and the love theme \u2018Fuck this night!\u2019 are so amazing that we buy it totally, even if the dialogue scenes and the DP can\u2019t measure up. <\/span><\/div>\n____________________________________________________________<\/div>\n](\"https:\/\/www.cinemaoasis.com\/wp-content\/gallery\/asmf05_schedule\/Schedule-05.jpg\"\n){kind=link}
![\n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\t\t\n\t\t\t\t \n \n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\t\t\n\t\t\t\t \n \n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\n\t\t\n\t<\/div>\t<\/div>\n\n10 Features<\/h1>\n\n\n\n \t\t\n\t\t\t\t\n\t\t\t\t \n \n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\t\t\n\t\t\t\t \n \n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\t\t\n\t\t\t\t \n \n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\t\t\n\t\t\t\t \n \n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\t\t\n\t\t\t\t \n \n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\t\t\n\t\t\t\t \n \n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\t\t\n\t\t\t\t \n \n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\t\t\n\t\t\t\t \n \n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\t\t\n\t\t\t\t \n \n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\t\t\n\t\t\t\t \n \n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\t\t\n\t\t\t\t \n \n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\n\t\t\n\t<\/div>\t<\/div>\n____________________________________________________________<\/p><\/div>\nAdhura Khvaab<\/b><\/h3>\nIndia<\/i><\/div>\n110 min<\/i><\/div>\nFaizuddin Siddiqui<\/i><\/div>\n <\/div>\nIt doesn\u2019t sound like it but it\u2019s a total stoner movie because of the spectacular apparently True Story ending. Nasty mother-in-law from hell abetted by brat daughter browbeats daughter-in law Ruby \u201cthe barren girl\u201d and urges her son to take another, fertile wife as his religion permits. But he loves her. Despite the life insurance commercial treacly piano, despite the IVF song, it keeps us watching, mesmerised by hysteria and intensity as grief piles upon outrage after outrage and Ruby is taken into the mafia mansion in full chador with only her eyes, in full panic, visible.<\/div>\n____________________________________________________________<\/div>\nBUGSYDER: The Crazy Hero<\/b><\/h3>\nThai<\/i><\/div>\n92 min<\/i><\/div>\nTheppanom Piriyaworakul<\/i><\/div>\n <\/div>\nThe humour, the anarchy, the glorious fun\u2014its tagline says it all: \u201cOf the Psycho Who Steals Underwear\u201d. Total absurdity right off the bat, as a suited pervert harassing stewardesses in a white aeroplane suddenly finds himself dropped among buffaloes in a field in Isan. Iconic Isan farang movie star Martin Wheeler is the village headman who can\u2019t live without inhaling his wife\u2019s cleavage. Despite the cartoonish, sped-up and silly veneer, it has strong resonance, as in the psycho freak-out scene amidst ancient ruins. Plus the cast of great faces, the acting, the camera placement and editing in this shoestring movie outshine most big budget Thai films.<\/div>\n\n____________________________________________________________<\/div>\n<\/div>\nChainsaws Were Singing<\/b><\/h3>\nEstonia<\/i><\/div>\n117 min<\/i><\/div>\nSander Maran<\/i><\/div>\n <\/div>\nThe Texas Chainsaw Massacre has spawned many exotic offspring, but this has got to be one of the best, plus it\u2019s a musical. The shift from dialogue to verse to song is faultlessly done. The humour is black, brutal and disgusting; the 2 shitty cops are priceless. The lingering question: to a cannibal, does hippie meat really taste of weed?<\/div>\n\n____________________________________________________________<\/div>\n<\/div>\nDead White & Blue<\/b><\/h3>\nUS<\/i><\/div>\n124 min<\/i><\/div>\nMike Davis<\/i><\/div>\n <\/div>\nThis sublimely inventive satire of propaganda film starts with black boys watching a KKK recruitment ad (\u201cNo more white sheets, the New Klan in active wear with style and technology..\u201d) and blooms into a military plan to use a Sioux sacred ceremony to shrink a whole army to battle the KKK inside a dead black man\u2019s body. Much of it is freely-dubbed old video tape footage, a pseudo-doc a la Pink Flamingo with deadpan dialogue and 1970\u2019s clothes.<\/div>\n\n____________________________________________________________<\/div>\n<\/div>\nDuck Rabbit<\/b><\/h3>\nUS<\/i><\/div>\n116 min<\/i><\/div>\nMichael Lee<\/i><\/div>\n <\/div>\n\nAfter drinking psychedelic tea, 3 women take forever to deliver a prop sofa to the village playhouse, ruled by a pompous wannabe Shakespearean. The lemonade kid is one nasty character. Some excellent stoner scenes including The Lost Chicken crossing the road to Ride of the Valkyrie<\/i>.<\/p>\n____________________________________________________________<\/div>\n<\/div>\nKuppan<\/b><\/h3>\nIndia<\/i><\/div>\n137 min<\/i><\/div>\nSasikumar S<\/i>.<\/i><\/div>\n <\/div>\nA low-cast dwarf street drummer\u2014lowest of the low, is accused of raping and beheading his own angelic daughter. <\/span>Sort of Tamil Masala Western with Bollywood villains and powerful songs, this disturbing witch-hunt of a moral-horror movie is not stylish-slick but has visual power and many unforgettable scenes. Plots, subplots, twists and turns; the English subtitles are too quick, but we don\u2019t care as we take in the intensity\u2014the brutality, the insanity, the tyranny. The songs are wonderful, especially the monstrous Pigeon Dance Man\u2019s macabre pre-rape signature tune.<\/div>\n\n____________________________________________________________<\/div>\n<\/div>\nNext<\/b><\/h3>\nUS<\/i><\/div>\n98 min<\/i><\/div>\nBrad Cook<\/i><\/div>\n <\/div>\nThe brainworm guy finds a camera at the bus stop and with his fat woman friend (lovely chemistry; great hotdog eating scene) decide to save people by filming them, thereby capturing their pain which they bless and bury in the ground along with the memory card. But in the woods they also find cash tied to bits of corpses\u2014tossed from a celebrity artist\u2019s studio full of spooky hooded mannequins. Mum issues on steroids.<\/div>\n\n____________________________________________________________<\/div>\n<\/div>\nPariah to Profit: Accepting the Power of Marijuana<\/b><\/h3>\nUS<\/i><\/div>\n63 min, documentary<\/i><\/div>\nJesse Tunison, Natec Linda Penn<\/i><\/div>\n <\/div>\nMarijuana is the least toxic substance in all pharmacology; the longest available medicine that we know of from prehistoric times, says one doctor from Harvard Medical School. \u201cThat is not a drug. It\u2019s a leaf,\u201d says California governor Arnold Schwarzenegger. It\u2019s a very technical but utterly absorbing lecture that really makes you feel the total obscenity and absurdity of banning and demonizing the Kind Medicine. The end credits over weed being ground down is very appetizing, shall we say. (BB: \u201cThe best medical marijuana documentary I\u2019ve ever seen.\u201d)<\/div>\n\n____________________________________________________________<\/div>\n<\/div>\nTransference<\/b><\/h3>\nUS<\/i><\/div>\n102 min<\/i><\/div>\nZeph E Daniel<\/i><\/div>\n <\/div>\nThe screening notes drip with blood: \u201cSex and gore fest, interesting. Everyone in the film seems to have uncontrollable sex drives.\u201d An oppressed Hispanic immigrant nurse looks after a sick rich woman, bringing her back to life from near-death. Class rage, sex rage, abusive ex-husbands, lesbian menage a trois in an ocean-view house in Hawaii, as lives, and perhaps bodies, are taken over in disturbing ways.<\/div>\n\n____________________________________________________________<\/div>\n<\/div>\nWhiskey Dixie & The Big Wet Country<\/b><\/h3>\nUS<\/i><\/div>\n114 min<\/i><\/div>\nAmanda Richards<\/i><\/div>\n <\/div>\n\u201cAn over-the-top sex-positive musical comedy,\u201d is how the film\u2019s director, composer and star Amanda Richards describes it. Yes, it\u2019s another crazy musical. Woman in red dress driving a red open sportscar with a dildo inside her sings the opening number: \u201cComing at high speed!\u201d While it projects itself as a tacky porno movie, the songs, including the one about premature ejaculation and the love theme \u2018Fuck this night!\u2019 are so amazing that we buy it totally, even if the dialogue scenes and the DP can\u2019t measure up. <\/span><\/div>\n____________________________________________________________<\/div>\n](\"https:\/\/www.cinemaoasis.com\/wp-content\/gallery\/asmf05_schedule\/Schedule-06.jpg\"\n){kind=link}
![\n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\t\t\n\t\t\t\t \n \n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\n\t\t\n\t<\/div>\t<\/div>\n\n10 Features<\/h1>\n\n\n\n \t\t\n\t\t\t\t\n\t\t\t\t \n \n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\t\t\n\t\t\t\t \n \n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\t\t\n\t\t\t\t \n \n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\t\t\n\t\t\t\t \n \n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\t\t\n\t\t\t\t \n \n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\t\t\n\t\t\t\t \n \n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\t\t\n\t\t\t\t \n \n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\t\t\n\t\t\t\t \n \n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\t\t\n\t\t\t\t \n \n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\t\t\n\t\t\t\t \n \n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\t\t\n\t\t\t\t \n \n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\n\t\t\n\t<\/div>\t<\/div>\n____________________________________________________________<\/p><\/div>\nAdhura Khvaab<\/b><\/h3>\nIndia<\/i><\/div>\n110 min<\/i><\/div>\nFaizuddin Siddiqui<\/i><\/div>\n <\/div>\nIt doesn\u2019t sound like it but it\u2019s a total stoner movie because of the spectacular apparently True Story ending. Nasty mother-in-law from hell abetted by brat daughter browbeats daughter-in law Ruby \u201cthe barren girl\u201d and urges her son to take another, fertile wife as his religion permits. But he loves her. Despite the life insurance commercial treacly piano, despite the IVF song, it keeps us watching, mesmerised by hysteria and intensity as grief piles upon outrage after outrage and Ruby is taken into the mafia mansion in full chador with only her eyes, in full panic, visible.<\/div>\n____________________________________________________________<\/div>\nBUGSYDER: The Crazy Hero<\/b><\/h3>\nThai<\/i><\/div>\n92 min<\/i><\/div>\nTheppanom Piriyaworakul<\/i><\/div>\n <\/div>\nThe humour, the anarchy, the glorious fun\u2014its tagline says it all: \u201cOf the Psycho Who Steals Underwear\u201d. Total absurdity right off the bat, as a suited pervert harassing stewardesses in a white aeroplane suddenly finds himself dropped among buffaloes in a field in Isan. Iconic Isan farang movie star Martin Wheeler is the village headman who can\u2019t live without inhaling his wife\u2019s cleavage. Despite the cartoonish, sped-up and silly veneer, it has strong resonance, as in the psycho freak-out scene amidst ancient ruins. Plus the cast of great faces, the acting, the camera placement and editing in this shoestring movie outshine most big budget Thai films.<\/div>\n\n____________________________________________________________<\/div>\n<\/div>\nChainsaws Were Singing<\/b><\/h3>\nEstonia<\/i><\/div>\n117 min<\/i><\/div>\nSander Maran<\/i><\/div>\n <\/div>\nThe Texas Chainsaw Massacre has spawned many exotic offspring, but this has got to be one of the best, plus it\u2019s a musical. The shift from dialogue to verse to song is faultlessly done. The humour is black, brutal and disgusting; the 2 shitty cops are priceless. The lingering question: to a cannibal, does hippie meat really taste of weed?<\/div>\n\n____________________________________________________________<\/div>\n<\/div>\nDead White & Blue<\/b><\/h3>\nUS<\/i><\/div>\n124 min<\/i><\/div>\nMike Davis<\/i><\/div>\n <\/div>\nThis sublimely inventive satire of propaganda film starts with black boys watching a KKK recruitment ad (\u201cNo more white sheets, the New Klan in active wear with style and technology..\u201d) and blooms into a military plan to use a Sioux sacred ceremony to shrink a whole army to battle the KKK inside a dead black man\u2019s body. Much of it is freely-dubbed old video tape footage, a pseudo-doc a la Pink Flamingo with deadpan dialogue and 1970\u2019s clothes.<\/div>\n\n____________________________________________________________<\/div>\n<\/div>\nDuck Rabbit<\/b><\/h3>\nUS<\/i><\/div>\n116 min<\/i><\/div>\nMichael Lee<\/i><\/div>\n <\/div>\n\nAfter drinking psychedelic tea, 3 women take forever to deliver a prop sofa to the village playhouse, ruled by a pompous wannabe Shakespearean. The lemonade kid is one nasty character. Some excellent stoner scenes including The Lost Chicken crossing the road to Ride of the Valkyrie<\/i>.<\/p>\n____________________________________________________________<\/div>\n<\/div>\nKuppan<\/b><\/h3>\nIndia<\/i><\/div>\n137 min<\/i><\/div>\nSasikumar S<\/i>.<\/i><\/div>\n <\/div>\nA low-cast dwarf street drummer\u2014lowest of the low, is accused of raping and beheading his own angelic daughter. <\/span>Sort of Tamil Masala Western with Bollywood villains and powerful songs, this disturbing witch-hunt of a moral-horror movie is not stylish-slick but has visual power and many unforgettable scenes. Plots, subplots, twists and turns; the English subtitles are too quick, but we don\u2019t care as we take in the intensity\u2014the brutality, the insanity, the tyranny. The songs are wonderful, especially the monstrous Pigeon Dance Man\u2019s macabre pre-rape signature tune.<\/div>\n\n____________________________________________________________<\/div>\n<\/div>\nNext<\/b><\/h3>\nUS<\/i><\/div>\n98 min<\/i><\/div>\nBrad Cook<\/i><\/div>\n <\/div>\nThe brainworm guy finds a camera at the bus stop and with his fat woman friend (lovely chemistry; great hotdog eating scene) decide to save people by filming them, thereby capturing their pain which they bless and bury in the ground along with the memory card. But in the woods they also find cash tied to bits of corpses\u2014tossed from a celebrity artist\u2019s studio full of spooky hooded mannequins. Mum issues on steroids.<\/div>\n\n____________________________________________________________<\/div>\n<\/div>\nPariah to Profit: Accepting the Power of Marijuana<\/b><\/h3>\nUS<\/i><\/div>\n63 min, documentary<\/i><\/div>\nJesse Tunison, Natec Linda Penn<\/i><\/div>\n <\/div>\nMarijuana is the least toxic substance in all pharmacology; the longest available medicine that we know of from prehistoric times, says one doctor from Harvard Medical School. \u201cThat is not a drug. It\u2019s a leaf,\u201d says California governor Arnold Schwarzenegger. It\u2019s a very technical but utterly absorbing lecture that really makes you feel the total obscenity and absurdity of banning and demonizing the Kind Medicine. The end credits over weed being ground down is very appetizing, shall we say. (BB: \u201cThe best medical marijuana documentary I\u2019ve ever seen.\u201d)<\/div>\n\n____________________________________________________________<\/div>\n<\/div>\nTransference<\/b><\/h3>\nUS<\/i><\/div>\n102 min<\/i><\/div>\nZeph E Daniel<\/i><\/div>\n <\/div>\nThe screening notes drip with blood: \u201cSex and gore fest, interesting. Everyone in the film seems to have uncontrollable sex drives.\u201d An oppressed Hispanic immigrant nurse looks after a sick rich woman, bringing her back to life from near-death. Class rage, sex rage, abusive ex-husbands, lesbian menage a trois in an ocean-view house in Hawaii, as lives, and perhaps bodies, are taken over in disturbing ways.<\/div>\n\n____________________________________________________________<\/div>\n<\/div>\nWhiskey Dixie & The Big Wet Country<\/b><\/h3>\nUS<\/i><\/div>\n114 min<\/i><\/div>\nAmanda Richards<\/i><\/div>\n <\/div>\n\u201cAn over-the-top sex-positive musical comedy,\u201d is how the film\u2019s director, composer and star Amanda Richards describes it. Yes, it\u2019s another crazy musical. Woman in red dress driving a red open sportscar with a dildo inside her sings the opening number: \u201cComing at high speed!\u201d While it projects itself as a tacky porno movie, the songs, including the one about premature ejaculation and the love theme \u2018Fuck this night!\u2019 are so amazing that we buy it totally, even if the dialogue scenes and the DP can\u2019t measure up. <\/span><\/div>\n____________________________________________________________<\/div>\n](\"https:\/\/www.cinemaoasis.com\/wp-content\/gallery\/asmf05_schedule\/Schedule-07.jpg\"\n){kind=link}
![\n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\n\t\t\n\t<\/div>\t<\/div>\n\n10 Features<\/h1>\n\n\n\n \t\t\n\t\t\t\t\n\t\t\t\t \n \n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\t\t\n\t\t\t\t \n \n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\t\t\n\t\t\t\t \n \n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\t\t\n\t\t\t\t \n \n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\t\t\n\t\t\t\t \n \n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\t\t\n\t\t\t\t \n \n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\t\t\n\t\t\t\t \n \n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\t\t\n\t\t\t\t \n \n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\t\t\n\t\t\t\t \n \n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\t\t\n\t\t\t\t \n \n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\t\t\n\t\t\t\t \n \n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\n\t\t\n\t<\/div>\t<\/div>\n____________________________________________________________<\/p><\/div>\nAdhura Khvaab<\/b><\/h3>\nIndia<\/i><\/div>\n110 min<\/i><\/div>\nFaizuddin Siddiqui<\/i><\/div>\n <\/div>\nIt doesn\u2019t sound like it but it\u2019s a total stoner movie because of the spectacular apparently True Story ending. Nasty mother-in-law from hell abetted by brat daughter browbeats daughter-in law Ruby \u201cthe barren girl\u201d and urges her son to take another, fertile wife as his religion permits. But he loves her. Despite the life insurance commercial treacly piano, despite the IVF song, it keeps us watching, mesmerised by hysteria and intensity as grief piles upon outrage after outrage and Ruby is taken into the mafia mansion in full chador with only her eyes, in full panic, visible.<\/div>\n____________________________________________________________<\/div>\nBUGSYDER: The Crazy Hero<\/b><\/h3>\nThai<\/i><\/div>\n92 min<\/i><\/div>\nTheppanom Piriyaworakul<\/i><\/div>\n <\/div>\nThe humour, the anarchy, the glorious fun\u2014its tagline says it all: \u201cOf the Psycho Who Steals Underwear\u201d. Total absurdity right off the bat, as a suited pervert harassing stewardesses in a white aeroplane suddenly finds himself dropped among buffaloes in a field in Isan. Iconic Isan farang movie star Martin Wheeler is the village headman who can\u2019t live without inhaling his wife\u2019s cleavage. Despite the cartoonish, sped-up and silly veneer, it has strong resonance, as in the psycho freak-out scene amidst ancient ruins. Plus the cast of great faces, the acting, the camera placement and editing in this shoestring movie outshine most big budget Thai films.<\/div>\n\n____________________________________________________________<\/div>\n<\/div>\nChainsaws Were Singing<\/b><\/h3>\nEstonia<\/i><\/div>\n117 min<\/i><\/div>\nSander Maran<\/i><\/div>\n <\/div>\nThe Texas Chainsaw Massacre has spawned many exotic offspring, but this has got to be one of the best, plus it\u2019s a musical. The shift from dialogue to verse to song is faultlessly done. The humour is black, brutal and disgusting; the 2 shitty cops are priceless. The lingering question: to a cannibal, does hippie meat really taste of weed?<\/div>\n\n____________________________________________________________<\/div>\n<\/div>\nDead White & Blue<\/b><\/h3>\nUS<\/i><\/div>\n124 min<\/i><\/div>\nMike Davis<\/i><\/div>\n <\/div>\nThis sublimely inventive satire of propaganda film starts with black boys watching a KKK recruitment ad (\u201cNo more white sheets, the New Klan in active wear with style and technology..\u201d) and blooms into a military plan to use a Sioux sacred ceremony to shrink a whole army to battle the KKK inside a dead black man\u2019s body. Much of it is freely-dubbed old video tape footage, a pseudo-doc a la Pink Flamingo with deadpan dialogue and 1970\u2019s clothes.<\/div>\n\n____________________________________________________________<\/div>\n<\/div>\nDuck Rabbit<\/b><\/h3>\nUS<\/i><\/div>\n116 min<\/i><\/div>\nMichael Lee<\/i><\/div>\n <\/div>\n\nAfter drinking psychedelic tea, 3 women take forever to deliver a prop sofa to the village playhouse, ruled by a pompous wannabe Shakespearean. The lemonade kid is one nasty character. Some excellent stoner scenes including The Lost Chicken crossing the road to Ride of the Valkyrie<\/i>.<\/p>\n____________________________________________________________<\/div>\n<\/div>\nKuppan<\/b><\/h3>\nIndia<\/i><\/div>\n137 min<\/i><\/div>\nSasikumar S<\/i>.<\/i><\/div>\n <\/div>\nA low-cast dwarf street drummer\u2014lowest of the low, is accused of raping and beheading his own angelic daughter. <\/span>Sort of Tamil Masala Western with Bollywood villains and powerful songs, this disturbing witch-hunt of a moral-horror movie is not stylish-slick but has visual power and many unforgettable scenes. Plots, subplots, twists and turns; the English subtitles are too quick, but we don\u2019t care as we take in the intensity\u2014the brutality, the insanity, the tyranny. The songs are wonderful, especially the monstrous Pigeon Dance Man\u2019s macabre pre-rape signature tune.<\/div>\n\n____________________________________________________________<\/div>\n<\/div>\nNext<\/b><\/h3>\nUS<\/i><\/div>\n98 min<\/i><\/div>\nBrad Cook<\/i><\/div>\n <\/div>\nThe brainworm guy finds a camera at the bus stop and with his fat woman friend (lovely chemistry; great hotdog eating scene) decide to save people by filming them, thereby capturing their pain which they bless and bury in the ground along with the memory card. But in the woods they also find cash tied to bits of corpses\u2014tossed from a celebrity artist\u2019s studio full of spooky hooded mannequins. Mum issues on steroids.<\/div>\n\n____________________________________________________________<\/div>\n<\/div>\nPariah to Profit: Accepting the Power of Marijuana<\/b><\/h3>\nUS<\/i><\/div>\n63 min, documentary<\/i><\/div>\nJesse Tunison, Natec Linda Penn<\/i><\/div>\n <\/div>\nMarijuana is the least toxic substance in all pharmacology; the longest available medicine that we know of from prehistoric times, says one doctor from Harvard Medical School. \u201cThat is not a drug. It\u2019s a leaf,\u201d says California governor Arnold Schwarzenegger. It\u2019s a very technical but utterly absorbing lecture that really makes you feel the total obscenity and absurdity of banning and demonizing the Kind Medicine. The end credits over weed being ground down is very appetizing, shall we say. (BB: \u201cThe best medical marijuana documentary I\u2019ve ever seen.\u201d)<\/div>\n\n____________________________________________________________<\/div>\n<\/div>\nTransference<\/b><\/h3>\nUS<\/i><\/div>\n102 min<\/i><\/div>\nZeph E Daniel<\/i><\/div>\n <\/div>\nThe screening notes drip with blood: \u201cSex and gore fest, interesting. Everyone in the film seems to have uncontrollable sex drives.\u201d An oppressed Hispanic immigrant nurse looks after a sick rich woman, bringing her back to life from near-death. Class rage, sex rage, abusive ex-husbands, lesbian menage a trois in an ocean-view house in Hawaii, as lives, and perhaps bodies, are taken over in disturbing ways.<\/div>\n\n____________________________________________________________<\/div>\n<\/div>\nWhiskey Dixie & The Big Wet Country<\/b><\/h3>\nUS<\/i><\/div>\n114 min<\/i><\/div>\nAmanda Richards<\/i><\/div>\n <\/div>\n\u201cAn over-the-top sex-positive musical comedy,\u201d is how the film\u2019s director, composer and star Amanda Richards describes it. Yes, it\u2019s another crazy musical. Woman in red dress driving a red open sportscar with a dildo inside her sings the opening number: \u201cComing at high speed!\u201d While it projects itself as a tacky porno movie, the songs, including the one about premature ejaculation and the love theme \u2018Fuck this night!\u2019 are so amazing that we buy it totally, even if the dialogue scenes and the DP can\u2019t measure up. <\/span><\/div>\n____________________________________________________________<\/div>\n](\"https:\/\/www.cinemaoasis.com\/wp-content\/gallery\/asmf05_schedule\/Schedule-08.jpg\"\n){kind=link}
![\n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\t\t\n\t\t\t\t \n \n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\t\t\n\t\t\t\t \n \n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\t\t\n\t\t\t\t \n \n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\t\t\n\t\t\t\t \n \n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\t\t\n\t\t\t\t \n \n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\t\t\n\t\t\t\t \n \n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\t\t\n\t\t\t\t \n \n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\t\t\n\t\t\t\t \n \n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\t\t\n\t\t\t\t \n \n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\t\t\n\t\t\t\t \n \n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\n\t\t\n\t<\/div>\t<\/div>\n____________________________________________________________<\/p><\/div>\nAdhura Khvaab<\/b><\/h3>\nIndia<\/i><\/div>\n110 min<\/i><\/div>\nFaizuddin Siddiqui<\/i><\/div>\n <\/div>\nIt doesn\u2019t sound like it but it\u2019s a total stoner movie because of the spectacular apparently True Story ending. Nasty mother-in-law from hell abetted by brat daughter browbeats daughter-in law Ruby \u201cthe barren girl\u201d and urges her son to take another, fertile wife as his religion permits. But he loves her. Despite the life insurance commercial treacly piano, despite the IVF song, it keeps us watching, mesmerised by hysteria and intensity as grief piles upon outrage after outrage and Ruby is taken into the mafia mansion in full chador with only her eyes, in full panic, visible.<\/div>\n____________________________________________________________<\/div>\nBUGSYDER: The Crazy Hero<\/b><\/h3>\nThai<\/i><\/div>\n92 min<\/i><\/div>\nTheppanom Piriyaworakul<\/i><\/div>\n <\/div>\nThe humour, the anarchy, the glorious fun\u2014its tagline says it all: \u201cOf the Psycho Who Steals Underwear\u201d. Total absurdity right off the bat, as a suited pervert harassing stewardesses in a white aeroplane suddenly finds himself dropped among buffaloes in a field in Isan. Iconic Isan farang movie star Martin Wheeler is the village headman who can\u2019t live without inhaling his wife\u2019s cleavage. Despite the cartoonish, sped-up and silly veneer, it has strong resonance, as in the psycho freak-out scene amidst ancient ruins. Plus the cast of great faces, the acting, the camera placement and editing in this shoestring movie outshine most big budget Thai films.<\/div>\n\n____________________________________________________________<\/div>\n<\/div>\nChainsaws Were Singing<\/b><\/h3>\nEstonia<\/i><\/div>\n117 min<\/i><\/div>\nSander Maran<\/i><\/div>\n <\/div>\nThe Texas Chainsaw Massacre has spawned many exotic offspring, but this has got to be one of the best, plus it\u2019s a musical. The shift from dialogue to verse to song is faultlessly done. The humour is black, brutal and disgusting; the 2 shitty cops are priceless. The lingering question: to a cannibal, does hippie meat really taste of weed?<\/div>\n\n____________________________________________________________<\/div>\n<\/div>\nDead White & Blue<\/b><\/h3>\nUS<\/i><\/div>\n124 min<\/i><\/div>\nMike Davis<\/i><\/div>\n <\/div>\nThis sublimely inventive satire of propaganda film starts with black boys watching a KKK recruitment ad (\u201cNo more white sheets, the New Klan in active wear with style and technology..\u201d) and blooms into a military plan to use a Sioux sacred ceremony to shrink a whole army to battle the KKK inside a dead black man\u2019s body. Much of it is freely-dubbed old video tape footage, a pseudo-doc a la Pink Flamingo with deadpan dialogue and 1970\u2019s clothes.<\/div>\n\n____________________________________________________________<\/div>\n<\/div>\nDuck Rabbit<\/b><\/h3>\nUS<\/i><\/div>\n116 min<\/i><\/div>\nMichael Lee<\/i><\/div>\n <\/div>\n\nAfter drinking psychedelic tea, 3 women take forever to deliver a prop sofa to the village playhouse, ruled by a pompous wannabe Shakespearean. The lemonade kid is one nasty character. Some excellent stoner scenes including The Lost Chicken crossing the road to Ride of the Valkyrie<\/i>.<\/p>\n____________________________________________________________<\/div>\n<\/div>\nKuppan<\/b><\/h3>\nIndia<\/i><\/div>\n137 min<\/i><\/div>\nSasikumar S<\/i>.<\/i><\/div>\n <\/div>\nA low-cast dwarf street drummer\u2014lowest of the low, is accused of raping and beheading his own angelic daughter. <\/span>Sort of Tamil Masala Western with Bollywood villains and powerful songs, this disturbing witch-hunt of a moral-horror movie is not stylish-slick but has visual power and many unforgettable scenes. Plots, subplots, twists and turns; the English subtitles are too quick, but we don\u2019t care as we take in the intensity\u2014the brutality, the insanity, the tyranny. The songs are wonderful, especially the monstrous Pigeon Dance Man\u2019s macabre pre-rape signature tune.<\/div>\n\n____________________________________________________________<\/div>\n<\/div>\nNext<\/b><\/h3>\nUS<\/i><\/div>\n98 min<\/i><\/div>\nBrad Cook<\/i><\/div>\n <\/div>\nThe brainworm guy finds a camera at the bus stop and with his fat woman friend (lovely chemistry; great hotdog eating scene) decide to save people by filming them, thereby capturing their pain which they bless and bury in the ground along with the memory card. But in the woods they also find cash tied to bits of corpses\u2014tossed from a celebrity artist\u2019s studio full of spooky hooded mannequins. Mum issues on steroids.<\/div>\n\n____________________________________________________________<\/div>\n<\/div>\nPariah to Profit: Accepting the Power of Marijuana<\/b><\/h3>\nUS<\/i><\/div>\n63 min, documentary<\/i><\/div>\nJesse Tunison, Natec Linda Penn<\/i><\/div>\n <\/div>\nMarijuana is the least toxic substance in all pharmacology; the longest available medicine that we know of from prehistoric times, says one doctor from Harvard Medical School. \u201cThat is not a drug. It\u2019s a leaf,\u201d says California governor Arnold Schwarzenegger. It\u2019s a very technical but utterly absorbing lecture that really makes you feel the total obscenity and absurdity of banning and demonizing the Kind Medicine. The end credits over weed being ground down is very appetizing, shall we say. (BB: \u201cThe best medical marijuana documentary I\u2019ve ever seen.\u201d)<\/div>\n\n____________________________________________________________<\/div>\n<\/div>\nTransference<\/b><\/h3>\nUS<\/i><\/div>\n102 min<\/i><\/div>\nZeph E Daniel<\/i><\/div>\n <\/div>\nThe screening notes drip with blood: \u201cSex and gore fest, interesting. Everyone in the film seems to have uncontrollable sex drives.\u201d An oppressed Hispanic immigrant nurse looks after a sick rich woman, bringing her back to life from near-death. Class rage, sex rage, abusive ex-husbands, lesbian menage a trois in an ocean-view house in Hawaii, as lives, and perhaps bodies, are taken over in disturbing ways.<\/div>\n\n____________________________________________________________<\/div>\n<\/div>\nWhiskey Dixie & The Big Wet Country<\/b><\/h3>\nUS<\/i><\/div>\n114 min<\/i><\/div>\nAmanda Richards<\/i><\/div>\n <\/div>\n\u201cAn over-the-top sex-positive musical comedy,\u201d is how the film\u2019s director, composer and star Amanda Richards describes it. Yes, it\u2019s another crazy musical. Woman in red dress driving a red open sportscar with a dildo inside her sings the opening number: \u201cComing at high speed!\u201d While it projects itself as a tacky porno movie, the songs, including the one about premature ejaculation and the love theme \u2018Fuck this night!\u2019 are so amazing that we buy it totally, even if the dialogue scenes and the DP can\u2019t measure up. <\/span><\/div>\n____________________________________________________________<\/div>\n](\"https:\/\/www.cinemaoasis.com\/wp-content\/gallery\/asmf05_feature\/Intro_Feature-01.jpg\"\n){kind=link}
![\n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\t\t\n\t\t\t\t \n \n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\t\t\n\t\t\t\t \n \n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\t\t\n\t\t\t\t \n \n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\t\t\n\t\t\t\t \n \n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\t\t\n\t\t\t\t \n \n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\t\t\n\t\t\t\t \n \n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\t\t\n\t\t\t\t \n \n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\t\t\n\t\t\t\t \n \n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\t\t\n\t\t\t\t \n \n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\n\t\t\n\t<\/div>\t<\/div>\n____________________________________________________________<\/p><\/div>\nAdhura Khvaab<\/b><\/h3>\nIndia<\/i><\/div>\n110 min<\/i><\/div>\nFaizuddin Siddiqui<\/i><\/div>\n <\/div>\nIt doesn\u2019t sound like it but it\u2019s a total stoner movie because of the spectacular apparently True Story ending. Nasty mother-in-law from hell abetted by brat daughter browbeats daughter-in law Ruby \u201cthe barren girl\u201d and urges her son to take another, fertile wife as his religion permits. But he loves her. Despite the life insurance commercial treacly piano, despite the IVF song, it keeps us watching, mesmerised by hysteria and intensity as grief piles upon outrage after outrage and Ruby is taken into the mafia mansion in full chador with only her eyes, in full panic, visible.<\/div>\n____________________________________________________________<\/div>\nBUGSYDER: The Crazy Hero<\/b><\/h3>\nThai<\/i><\/div>\n92 min<\/i><\/div>\nTheppanom Piriyaworakul<\/i><\/div>\n <\/div>\nThe humour, the anarchy, the glorious fun\u2014its tagline says it all: \u201cOf the Psycho Who Steals Underwear\u201d. Total absurdity right off the bat, as a suited pervert harassing stewardesses in a white aeroplane suddenly finds himself dropped among buffaloes in a field in Isan. Iconic Isan farang movie star Martin Wheeler is the village headman who can\u2019t live without inhaling his wife\u2019s cleavage. Despite the cartoonish, sped-up and silly veneer, it has strong resonance, as in the psycho freak-out scene amidst ancient ruins. Plus the cast of great faces, the acting, the camera placement and editing in this shoestring movie outshine most big budget Thai films.<\/div>\n\n____________________________________________________________<\/div>\n<\/div>\nChainsaws Were Singing<\/b><\/h3>\nEstonia<\/i><\/div>\n117 min<\/i><\/div>\nSander Maran<\/i><\/div>\n <\/div>\nThe Texas Chainsaw Massacre has spawned many exotic offspring, but this has got to be one of the best, plus it\u2019s a musical. The shift from dialogue to verse to song is faultlessly done. The humour is black, brutal and disgusting; the 2 shitty cops are priceless. The lingering question: to a cannibal, does hippie meat really taste of weed?<\/div>\n\n____________________________________________________________<\/div>\n<\/div>\nDead White & Blue<\/b><\/h3>\nUS<\/i><\/div>\n124 min<\/i><\/div>\nMike Davis<\/i><\/div>\n <\/div>\nThis sublimely inventive satire of propaganda film starts with black boys watching a KKK recruitment ad (\u201cNo more white sheets, the New Klan in active wear with style and technology..\u201d) and blooms into a military plan to use a Sioux sacred ceremony to shrink a whole army to battle the KKK inside a dead black man\u2019s body. Much of it is freely-dubbed old video tape footage, a pseudo-doc a la Pink Flamingo with deadpan dialogue and 1970\u2019s clothes.<\/div>\n\n____________________________________________________________<\/div>\n<\/div>\nDuck Rabbit<\/b><\/h3>\nUS<\/i><\/div>\n116 min<\/i><\/div>\nMichael Lee<\/i><\/div>\n <\/div>\n\nAfter drinking psychedelic tea, 3 women take forever to deliver a prop sofa to the village playhouse, ruled by a pompous wannabe Shakespearean. The lemonade kid is one nasty character. Some excellent stoner scenes including The Lost Chicken crossing the road to Ride of the Valkyrie<\/i>.<\/p>\n____________________________________________________________<\/div>\n<\/div>\nKuppan<\/b><\/h3>\nIndia<\/i><\/div>\n137 min<\/i><\/div>\nSasikumar S<\/i>.<\/i><\/div>\n <\/div>\nA low-cast dwarf street drummer\u2014lowest of the low, is accused of raping and beheading his own angelic daughter. <\/span>Sort of Tamil Masala Western with Bollywood villains and powerful songs, this disturbing witch-hunt of a moral-horror movie is not stylish-slick but has visual power and many unforgettable scenes. Plots, subplots, twists and turns; the English subtitles are too quick, but we don\u2019t care as we take in the intensity\u2014the brutality, the insanity, the tyranny. The songs are wonderful, especially the monstrous Pigeon Dance Man\u2019s macabre pre-rape signature tune.<\/div>\n\n____________________________________________________________<\/div>\n<\/div>\nNext<\/b><\/h3>\nUS<\/i><\/div>\n98 min<\/i><\/div>\nBrad Cook<\/i><\/div>\n <\/div>\nThe brainworm guy finds a camera at the bus stop and with his fat woman friend (lovely chemistry; great hotdog eating scene) decide to save people by filming them, thereby capturing their pain which they bless and bury in the ground along with the memory card. But in the woods they also find cash tied to bits of corpses\u2014tossed from a celebrity artist\u2019s studio full of spooky hooded mannequins. Mum issues on steroids.<\/div>\n\n____________________________________________________________<\/div>\n<\/div>\nPariah to Profit: Accepting the Power of Marijuana<\/b><\/h3>\nUS<\/i><\/div>\n63 min, documentary<\/i><\/div>\nJesse Tunison, Natec Linda Penn<\/i><\/div>\n <\/div>\nMarijuana is the least toxic substance in all pharmacology; the longest available medicine that we know of from prehistoric times, says one doctor from Harvard Medical School. \u201cThat is not a drug. It\u2019s a leaf,\u201d says California governor Arnold Schwarzenegger. It\u2019s a very technical but utterly absorbing lecture that really makes you feel the total obscenity and absurdity of banning and demonizing the Kind Medicine. The end credits over weed being ground down is very appetizing, shall we say. (BB: \u201cThe best medical marijuana documentary I\u2019ve ever seen.\u201d)<\/div>\n\n____________________________________________________________<\/div>\n<\/div>\nTransference<\/b><\/h3>\nUS<\/i><\/div>\n102 min<\/i><\/div>\nZeph E Daniel<\/i><\/div>\n <\/div>\nThe screening notes drip with blood: \u201cSex and gore fest, interesting. Everyone in the film seems to have uncontrollable sex drives.\u201d An oppressed Hispanic immigrant nurse looks after a sick rich woman, bringing her back to life from near-death. Class rage, sex rage, abusive ex-husbands, lesbian menage a trois in an ocean-view house in Hawaii, as lives, and perhaps bodies, are taken over in disturbing ways.<\/div>\n\n____________________________________________________________<\/div>\n<\/div>\nWhiskey Dixie & The Big Wet Country<\/b><\/h3>\nUS<\/i><\/div>\n114 min<\/i><\/div>\nAmanda Richards<\/i><\/div>\n <\/div>\n\u201cAn over-the-top sex-positive musical comedy,\u201d is how the film\u2019s director, composer and star Amanda Richards describes it. Yes, it\u2019s another crazy musical. Woman in red dress driving a red open sportscar with a dildo inside her sings the opening number: \u201cComing at high speed!\u201d While it projects itself as a tacky porno movie, the songs, including the one about premature ejaculation and the love theme \u2018Fuck this night!\u2019 are so amazing that we buy it totally, even if the dialogue scenes and the DP can\u2019t measure up. <\/span><\/div>\n____________________________________________________________<\/div>\n](\"https:\/\/www.cinemaoasis.com\/wp-content\/gallery\/asmf05_feature\/Intro_Feature-04.jpg\"\n){kind=link}
![\n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\t\t\n\t\t\t\t \n \n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\t\t\n\t\t\t\t \n \n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\t\t\n\t\t\t\t \n \n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\t\t\n\t\t\t\t \n \n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\t\t\n\t\t\t\t \n \n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\t\t\n\t\t\t\t \n \n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\t\t\n\t\t\t\t \n \n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\t\t\n\t\t\t\t \n \n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\n\t\t\n\t<\/div>\t<\/div>\n____________________________________________________________<\/p><\/div>\nAdhura Khvaab<\/b><\/h3>\nIndia<\/i><\/div>\n110 min<\/i><\/div>\nFaizuddin Siddiqui<\/i><\/div>\n <\/div>\nIt doesn\u2019t sound like it but it\u2019s a total stoner movie because of the spectacular apparently True Story ending. Nasty mother-in-law from hell abetted by brat daughter browbeats daughter-in law Ruby \u201cthe barren girl\u201d and urges her son to take another, fertile wife as his religion permits. But he loves her. Despite the life insurance commercial treacly piano, despite the IVF song, it keeps us watching, mesmerised by hysteria and intensity as grief piles upon outrage after outrage and Ruby is taken into the mafia mansion in full chador with only her eyes, in full panic, visible.<\/div>\n____________________________________________________________<\/div>\nBUGSYDER: The Crazy Hero<\/b><\/h3>\nThai<\/i><\/div>\n92 min<\/i><\/div>\nTheppanom Piriyaworakul<\/i><\/div>\n <\/div>\nThe humour, the anarchy, the glorious fun\u2014its tagline says it all: \u201cOf the Psycho Who Steals Underwear\u201d. Total absurdity right off the bat, as a suited pervert harassing stewardesses in a white aeroplane suddenly finds himself dropped among buffaloes in a field in Isan. Iconic Isan farang movie star Martin Wheeler is the village headman who can\u2019t live without inhaling his wife\u2019s cleavage. Despite the cartoonish, sped-up and silly veneer, it has strong resonance, as in the psycho freak-out scene amidst ancient ruins. Plus the cast of great faces, the acting, the camera placement and editing in this shoestring movie outshine most big budget Thai films.<\/div>\n\n____________________________________________________________<\/div>\n<\/div>\nChainsaws Were Singing<\/b><\/h3>\nEstonia<\/i><\/div>\n117 min<\/i><\/div>\nSander Maran<\/i><\/div>\n <\/div>\nThe Texas Chainsaw Massacre has spawned many exotic offspring, but this has got to be one of the best, plus it\u2019s a musical. The shift from dialogue to verse to song is faultlessly done. The humour is black, brutal and disgusting; the 2 shitty cops are priceless. The lingering question: to a cannibal, does hippie meat really taste of weed?<\/div>\n\n____________________________________________________________<\/div>\n<\/div>\nDead White & Blue<\/b><\/h3>\nUS<\/i><\/div>\n124 min<\/i><\/div>\nMike Davis<\/i><\/div>\n <\/div>\nThis sublimely inventive satire of propaganda film starts with black boys watching a KKK recruitment ad (\u201cNo more white sheets, the New Klan in active wear with style and technology..\u201d) and blooms into a military plan to use a Sioux sacred ceremony to shrink a whole army to battle the KKK inside a dead black man\u2019s body. Much of it is freely-dubbed old video tape footage, a pseudo-doc a la Pink Flamingo with deadpan dialogue and 1970\u2019s clothes.<\/div>\n\n____________________________________________________________<\/div>\n<\/div>\nDuck Rabbit<\/b><\/h3>\nUS<\/i><\/div>\n116 min<\/i><\/div>\nMichael Lee<\/i><\/div>\n <\/div>\n\nAfter drinking psychedelic tea, 3 women take forever to deliver a prop sofa to the village playhouse, ruled by a pompous wannabe Shakespearean. The lemonade kid is one nasty character. Some excellent stoner scenes including The Lost Chicken crossing the road to Ride of the Valkyrie<\/i>.<\/p>\n____________________________________________________________<\/div>\n<\/div>\nKuppan<\/b><\/h3>\nIndia<\/i><\/div>\n137 min<\/i><\/div>\nSasikumar S<\/i>.<\/i><\/div>\n <\/div>\nA low-cast dwarf street drummer\u2014lowest of the low, is accused of raping and beheading his own angelic daughter. <\/span>Sort of Tamil Masala Western with Bollywood villains and powerful songs, this disturbing witch-hunt of a moral-horror movie is not stylish-slick but has visual power and many unforgettable scenes. Plots, subplots, twists and turns; the English subtitles are too quick, but we don\u2019t care as we take in the intensity\u2014the brutality, the insanity, the tyranny. The songs are wonderful, especially the monstrous Pigeon Dance Man\u2019s macabre pre-rape signature tune.<\/div>\n\n____________________________________________________________<\/div>\n<\/div>\nNext<\/b><\/h3>\nUS<\/i><\/div>\n98 min<\/i><\/div>\nBrad Cook<\/i><\/div>\n <\/div>\nThe brainworm guy finds a camera at the bus stop and with his fat woman friend (lovely chemistry; great hotdog eating scene) decide to save people by filming them, thereby capturing their pain which they bless and bury in the ground along with the memory card. But in the woods they also find cash tied to bits of corpses\u2014tossed from a celebrity artist\u2019s studio full of spooky hooded mannequins. Mum issues on steroids.<\/div>\n\n____________________________________________________________<\/div>\n<\/div>\nPariah to Profit: Accepting the Power of Marijuana<\/b><\/h3>\nUS<\/i><\/div>\n63 min, documentary<\/i><\/div>\nJesse Tunison, Natec Linda Penn<\/i><\/div>\n <\/div>\nMarijuana is the least toxic substance in all pharmacology; the longest available medicine that we know of from prehistoric times, says one doctor from Harvard Medical School. \u201cThat is not a drug. It\u2019s a leaf,\u201d says California governor Arnold Schwarzenegger. It\u2019s a very technical but utterly absorbing lecture that really makes you feel the total obscenity and absurdity of banning and demonizing the Kind Medicine. The end credits over weed being ground down is very appetizing, shall we say. (BB: \u201cThe best medical marijuana documentary I\u2019ve ever seen.\u201d)<\/div>\n\n____________________________________________________________<\/div>\n<\/div>\nTransference<\/b><\/h3>\nUS<\/i><\/div>\n102 min<\/i><\/div>\nZeph E Daniel<\/i><\/div>\n <\/div>\nThe screening notes drip with blood: \u201cSex and gore fest, interesting. Everyone in the film seems to have uncontrollable sex drives.\u201d An oppressed Hispanic immigrant nurse looks after a sick rich woman, bringing her back to life from near-death. Class rage, sex rage, abusive ex-husbands, lesbian menage a trois in an ocean-view house in Hawaii, as lives, and perhaps bodies, are taken over in disturbing ways.<\/div>\n\n____________________________________________________________<\/div>\n<\/div>\nWhiskey Dixie & The Big Wet Country<\/b><\/h3>\nUS<\/i><\/div>\n114 min<\/i><\/div>\nAmanda Richards<\/i><\/div>\n <\/div>\n\u201cAn over-the-top sex-positive musical comedy,\u201d is how the film\u2019s director, composer and star Amanda Richards describes it. Yes, it\u2019s another crazy musical. Woman in red dress driving a red open sportscar with a dildo inside her sings the opening number: \u201cComing at high speed!\u201d While it projects itself as a tacky porno movie, the songs, including the one about premature ejaculation and the love theme \u2018Fuck this night!\u2019 are so amazing that we buy it totally, even if the dialogue scenes and the DP can\u2019t measure up. <\/span><\/div>\n____________________________________________________________<\/div>\n](\"https:\/\/www.cinemaoasis.com\/wp-content\/gallery\/asmf05_feature\/Intro_Feature-08.jpg\"\n){kind=link}
![\n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\t\t\n\t\t\t\t \n \n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\t\t\n\t\t\t\t \n \n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\t\t\n\t\t\t\t \n \n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\t\t\n\t\t\t\t \n \n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\t\t\n\t\t\t\t \n \n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\t\t\n\t\t\t\t \n \n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\t\t\n\t\t\t\t \n \n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\n\t\t\n\t<\/div>\t<\/div>\n____________________________________________________________<\/p><\/div>\nAdhura Khvaab<\/b><\/h3>\nIndia<\/i><\/div>\n110 min<\/i><\/div>\nFaizuddin Siddiqui<\/i><\/div>\n <\/div>\nIt doesn\u2019t sound like it but it\u2019s a total stoner movie because of the spectacular apparently True Story ending. Nasty mother-in-law from hell abetted by brat daughter browbeats daughter-in law Ruby \u201cthe barren girl\u201d and urges her son to take another, fertile wife as his religion permits. But he loves her. Despite the life insurance commercial treacly piano, despite the IVF song, it keeps us watching, mesmerised by hysteria and intensity as grief piles upon outrage after outrage and Ruby is taken into the mafia mansion in full chador with only her eyes, in full panic, visible.<\/div>\n____________________________________________________________<\/div>\nBUGSYDER: The Crazy Hero<\/b><\/h3>\nThai<\/i><\/div>\n92 min<\/i><\/div>\nTheppanom Piriyaworakul<\/i><\/div>\n <\/div>\nThe humour, the anarchy, the glorious fun\u2014its tagline says it all: \u201cOf the Psycho Who Steals Underwear\u201d. Total absurdity right off the bat, as a suited pervert harassing stewardesses in a white aeroplane suddenly finds himself dropped among buffaloes in a field in Isan. Iconic Isan farang movie star Martin Wheeler is the village headman who can\u2019t live without inhaling his wife\u2019s cleavage. Despite the cartoonish, sped-up and silly veneer, it has strong resonance, as in the psycho freak-out scene amidst ancient ruins. Plus the cast of great faces, the acting, the camera placement and editing in this shoestring movie outshine most big budget Thai films.<\/div>\n\n____________________________________________________________<\/div>\n<\/div>\nChainsaws Were Singing<\/b><\/h3>\nEstonia<\/i><\/div>\n117 min<\/i><\/div>\nSander Maran<\/i><\/div>\n <\/div>\nThe Texas Chainsaw Massacre has spawned many exotic offspring, but this has got to be one of the best, plus it\u2019s a musical. The shift from dialogue to verse to song is faultlessly done. The humour is black, brutal and disgusting; the 2 shitty cops are priceless. The lingering question: to a cannibal, does hippie meat really taste of weed?<\/div>\n\n____________________________________________________________<\/div>\n<\/div>\nDead White & Blue<\/b><\/h3>\nUS<\/i><\/div>\n124 min<\/i><\/div>\nMike Davis<\/i><\/div>\n <\/div>\nThis sublimely inventive satire of propaganda film starts with black boys watching a KKK recruitment ad (\u201cNo more white sheets, the New Klan in active wear with style and technology..\u201d) and blooms into a military plan to use a Sioux sacred ceremony to shrink a whole army to battle the KKK inside a dead black man\u2019s body. Much of it is freely-dubbed old video tape footage, a pseudo-doc a la Pink Flamingo with deadpan dialogue and 1970\u2019s clothes.<\/div>\n\n____________________________________________________________<\/div>\n<\/div>\nDuck Rabbit<\/b><\/h3>\nUS<\/i><\/div>\n116 min<\/i><\/div>\nMichael Lee<\/i><\/div>\n <\/div>\n\nAfter drinking psychedelic tea, 3 women take forever to deliver a prop sofa to the village playhouse, ruled by a pompous wannabe Shakespearean. The lemonade kid is one nasty character. Some excellent stoner scenes including The Lost Chicken crossing the road to Ride of the Valkyrie<\/i>.<\/p>\n____________________________________________________________<\/div>\n<\/div>\nKuppan<\/b><\/h3>\nIndia<\/i><\/div>\n137 min<\/i><\/div>\nSasikumar S<\/i>.<\/i><\/div>\n <\/div>\nA low-cast dwarf street drummer\u2014lowest of the low, is accused of raping and beheading his own angelic daughter. <\/span>Sort of Tamil Masala Western with Bollywood villains and powerful songs, this disturbing witch-hunt of a moral-horror movie is not stylish-slick but has visual power and many unforgettable scenes. Plots, subplots, twists and turns; the English subtitles are too quick, but we don\u2019t care as we take in the intensity\u2014the brutality, the insanity, the tyranny. The songs are wonderful, especially the monstrous Pigeon Dance Man\u2019s macabre pre-rape signature tune.<\/div>\n\n____________________________________________________________<\/div>\n<\/div>\nNext<\/b><\/h3>\nUS<\/i><\/div>\n98 min<\/i><\/div>\nBrad Cook<\/i><\/div>\n <\/div>\nThe brainworm guy finds a camera at the bus stop and with his fat woman friend (lovely chemistry; great hotdog eating scene) decide to save people by filming them, thereby capturing their pain which they bless and bury in the ground along with the memory card. But in the woods they also find cash tied to bits of corpses\u2014tossed from a celebrity artist\u2019s studio full of spooky hooded mannequins. Mum issues on steroids.<\/div>\n\n____________________________________________________________<\/div>\n<\/div>\nPariah to Profit: Accepting the Power of Marijuana<\/b><\/h3>\nUS<\/i><\/div>\n63 min, documentary<\/i><\/div>\nJesse Tunison, Natec Linda Penn<\/i><\/div>\n <\/div>\nMarijuana is the least toxic substance in all pharmacology; the longest available medicine that we know of from prehistoric times, says one doctor from Harvard Medical School. \u201cThat is not a drug. It\u2019s a leaf,\u201d says California governor Arnold Schwarzenegger. It\u2019s a very technical but utterly absorbing lecture that really makes you feel the total obscenity and absurdity of banning and demonizing the Kind Medicine. The end credits over weed being ground down is very appetizing, shall we say. (BB: \u201cThe best medical marijuana documentary I\u2019ve ever seen.\u201d)<\/div>\n\n____________________________________________________________<\/div>\n<\/div>\nTransference<\/b><\/h3>\nUS<\/i><\/div>\n102 min<\/i><\/div>\nZeph E Daniel<\/i><\/div>\n <\/div>\nThe screening notes drip with blood: \u201cSex and gore fest, interesting. Everyone in the film seems to have uncontrollable sex drives.\u201d An oppressed Hispanic immigrant nurse looks after a sick rich woman, bringing her back to life from near-death. Class rage, sex rage, abusive ex-husbands, lesbian menage a trois in an ocean-view house in Hawaii, as lives, and perhaps bodies, are taken over in disturbing ways.<\/div>\n\n____________________________________________________________<\/div>\n<\/div>\nWhiskey Dixie & The Big Wet Country<\/b><\/h3>\nUS<\/i><\/div>\n114 min<\/i><\/div>\nAmanda Richards<\/i><\/div>\n <\/div>\n\u201cAn over-the-top sex-positive musical comedy,\u201d is how the film\u2019s director, composer and star Amanda Richards describes it. Yes, it\u2019s another crazy musical. Woman in red dress driving a red open sportscar with a dildo inside her sings the opening number: \u201cComing at high speed!\u201d While it projects itself as a tacky porno movie, the songs, including the one about premature ejaculation and the love theme \u2018Fuck this night!\u2019 are so amazing that we buy it totally, even if the dialogue scenes and the DP can\u2019t measure up. <\/span><\/div>\n____________________________________________________________<\/div>\n](\"https:\/\/www.cinemaoasis.com\/wp-content\/gallery\/asmf05_feature\/Intro_Feature-07.jpg\"\n){kind=link}
![\n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\t\t\n\t\t\t\t \n \n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\t\t\n\t\t\t\t \n \n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\t\t\n\t\t\t\t \n \n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\t\t\n\t\t\t\t \n \n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\t\t\n\t\t\t\t \n \n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\t\t\n\t\t\t\t \n \n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\n\t\t\n\t<\/div>\t<\/div>\n____________________________________________________________<\/p><\/div>\nAdhura Khvaab<\/b><\/h3>\nIndia<\/i><\/div>\n110 min<\/i><\/div>\nFaizuddin Siddiqui<\/i><\/div>\n <\/div>\nIt doesn\u2019t sound like it but it\u2019s a total stoner movie because of the spectacular apparently True Story ending. Nasty mother-in-law from hell abetted by brat daughter browbeats daughter-in law Ruby \u201cthe barren girl\u201d and urges her son to take another, fertile wife as his religion permits. But he loves her. Despite the life insurance commercial treacly piano, despite the IVF song, it keeps us watching, mesmerised by hysteria and intensity as grief piles upon outrage after outrage and Ruby is taken into the mafia mansion in full chador with only her eyes, in full panic, visible.<\/div>\n____________________________________________________________<\/div>\nBUGSYDER: The Crazy Hero<\/b><\/h3>\nThai<\/i><\/div>\n92 min<\/i><\/div>\nTheppanom Piriyaworakul<\/i><\/div>\n <\/div>\nThe humour, the anarchy, the glorious fun\u2014its tagline says it all: \u201cOf the Psycho Who Steals Underwear\u201d. Total absurdity right off the bat, as a suited pervert harassing stewardesses in a white aeroplane suddenly finds himself dropped among buffaloes in a field in Isan. Iconic Isan farang movie star Martin Wheeler is the village headman who can\u2019t live without inhaling his wife\u2019s cleavage. Despite the cartoonish, sped-up and silly veneer, it has strong resonance, as in the psycho freak-out scene amidst ancient ruins. Plus the cast of great faces, the acting, the camera placement and editing in this shoestring movie outshine most big budget Thai films.<\/div>\n\n____________________________________________________________<\/div>\n<\/div>\nChainsaws Were Singing<\/b><\/h3>\nEstonia<\/i><\/div>\n117 min<\/i><\/div>\nSander Maran<\/i><\/div>\n <\/div>\nThe Texas Chainsaw Massacre has spawned many exotic offspring, but this has got to be one of the best, plus it\u2019s a musical. The shift from dialogue to verse to song is faultlessly done. The humour is black, brutal and disgusting; the 2 shitty cops are priceless. The lingering question: to a cannibal, does hippie meat really taste of weed?<\/div>\n\n____________________________________________________________<\/div>\n<\/div>\nDead White & Blue<\/b><\/h3>\nUS<\/i><\/div>\n124 min<\/i><\/div>\nMike Davis<\/i><\/div>\n <\/div>\nThis sublimely inventive satire of propaganda film starts with black boys watching a KKK recruitment ad (\u201cNo more white sheets, the New Klan in active wear with style and technology..\u201d) and blooms into a military plan to use a Sioux sacred ceremony to shrink a whole army to battle the KKK inside a dead black man\u2019s body. Much of it is freely-dubbed old video tape footage, a pseudo-doc a la Pink Flamingo with deadpan dialogue and 1970\u2019s clothes.<\/div>\n\n____________________________________________________________<\/div>\n<\/div>\nDuck Rabbit<\/b><\/h3>\nUS<\/i><\/div>\n116 min<\/i><\/div>\nMichael Lee<\/i><\/div>\n <\/div>\n\nAfter drinking psychedelic tea, 3 women take forever to deliver a prop sofa to the village playhouse, ruled by a pompous wannabe Shakespearean. The lemonade kid is one nasty character. Some excellent stoner scenes including The Lost Chicken crossing the road to Ride of the Valkyrie<\/i>.<\/p>\n____________________________________________________________<\/div>\n<\/div>\nKuppan<\/b><\/h3>\nIndia<\/i><\/div>\n137 min<\/i><\/div>\nSasikumar S<\/i>.<\/i><\/div>\n <\/div>\nA low-cast dwarf street drummer\u2014lowest of the low, is accused of raping and beheading his own angelic daughter. <\/span>Sort of Tamil Masala Western with Bollywood villains and powerful songs, this disturbing witch-hunt of a moral-horror movie is not stylish-slick but has visual power and many unforgettable scenes. Plots, subplots, twists and turns; the English subtitles are too quick, but we don\u2019t care as we take in the intensity\u2014the brutality, the insanity, the tyranny. The songs are wonderful, especially the monstrous Pigeon Dance Man\u2019s macabre pre-rape signature tune.<\/div>\n\n____________________________________________________________<\/div>\n<\/div>\nNext<\/b><\/h3>\nUS<\/i><\/div>\n98 min<\/i><\/div>\nBrad Cook<\/i><\/div>\n <\/div>\nThe brainworm guy finds a camera at the bus stop and with his fat woman friend (lovely chemistry; great hotdog eating scene) decide to save people by filming them, thereby capturing their pain which they bless and bury in the ground along with the memory card. But in the woods they also find cash tied to bits of corpses\u2014tossed from a celebrity artist\u2019s studio full of spooky hooded mannequins. Mum issues on steroids.<\/div>\n\n____________________________________________________________<\/div>\n<\/div>\nPariah to Profit: Accepting the Power of Marijuana<\/b><\/h3>\nUS<\/i><\/div>\n63 min, documentary<\/i><\/div>\nJesse Tunison, Natec Linda Penn<\/i><\/div>\n <\/div>\nMarijuana is the least toxic substance in all pharmacology; the longest available medicine that we know of from prehistoric times, says one doctor from Harvard Medical School. \u201cThat is not a drug. It\u2019s a leaf,\u201d says California governor Arnold Schwarzenegger. It\u2019s a very technical but utterly absorbing lecture that really makes you feel the total obscenity and absurdity of banning and demonizing the Kind Medicine. The end credits over weed being ground down is very appetizing, shall we say. (BB: \u201cThe best medical marijuana documentary I\u2019ve ever seen.\u201d)<\/div>\n\n____________________________________________________________<\/div>\n<\/div>\nTransference<\/b><\/h3>\nUS<\/i><\/div>\n102 min<\/i><\/div>\nZeph E Daniel<\/i><\/div>\n <\/div>\nThe screening notes drip with blood: \u201cSex and gore fest, interesting. Everyone in the film seems to have uncontrollable sex drives.\u201d An oppressed Hispanic immigrant nurse looks after a sick rich woman, bringing her back to life from near-death. Class rage, sex rage, abusive ex-husbands, lesbian menage a trois in an ocean-view house in Hawaii, as lives, and perhaps bodies, are taken over in disturbing ways.<\/div>\n\n____________________________________________________________<\/div>\n<\/div>\nWhiskey Dixie & The Big Wet Country<\/b><\/h3>\nUS<\/i><\/div>\n114 min<\/i><\/div>\nAmanda Richards<\/i><\/div>\n <\/div>\n\u201cAn over-the-top sex-positive musical comedy,\u201d is how the film\u2019s director, composer and star Amanda Richards describes it. Yes, it\u2019s another crazy musical. Woman in red dress driving a red open sportscar with a dildo inside her sings the opening number: \u201cComing at high speed!\u201d While it projects itself as a tacky porno movie, the songs, including the one about premature ejaculation and the love theme \u2018Fuck this night!\u2019 are so amazing that we buy it totally, even if the dialogue scenes and the DP can\u2019t measure up. <\/span><\/div>\n____________________________________________________________<\/div>\n](\"https:\/\/www.cinemaoasis.com\/wp-content\/gallery\/asmf05_feature\/Intro_Feature-05.jpg\"\n){kind=link}
![\n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\t\t\n\t\t\t\t \n \n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\t\t\n\t\t\t\t \n \n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\t\t\n\t\t\t\t \n \n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\t\t\n\t\t\t\t \n \n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\t\t\n\t\t\t\t \n \n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\n\t\t\n\t<\/div>\t<\/div>\n____________________________________________________________<\/p><\/div>\nAdhura Khvaab<\/b><\/h3>\nIndia<\/i><\/div>\n110 min<\/i><\/div>\nFaizuddin Siddiqui<\/i><\/div>\n <\/div>\nIt doesn\u2019t sound like it but it\u2019s a total stoner movie because of the spectacular apparently True Story ending. Nasty mother-in-law from hell abetted by brat daughter browbeats daughter-in law Ruby \u201cthe barren girl\u201d and urges her son to take another, fertile wife as his religion permits. But he loves her. Despite the life insurance commercial treacly piano, despite the IVF song, it keeps us watching, mesmerised by hysteria and intensity as grief piles upon outrage after outrage and Ruby is taken into the mafia mansion in full chador with only her eyes, in full panic, visible.<\/div>\n____________________________________________________________<\/div>\nBUGSYDER: The Crazy Hero<\/b><\/h3>\nThai<\/i><\/div>\n92 min<\/i><\/div>\nTheppanom Piriyaworakul<\/i><\/div>\n <\/div>\nThe humour, the anarchy, the glorious fun\u2014its tagline says it all: \u201cOf the Psycho Who Steals Underwear\u201d. Total absurdity right off the bat, as a suited pervert harassing stewardesses in a white aeroplane suddenly finds himself dropped among buffaloes in a field in Isan. Iconic Isan farang movie star Martin Wheeler is the village headman who can\u2019t live without inhaling his wife\u2019s cleavage. Despite the cartoonish, sped-up and silly veneer, it has strong resonance, as in the psycho freak-out scene amidst ancient ruins. Plus the cast of great faces, the acting, the camera placement and editing in this shoestring movie outshine most big budget Thai films.<\/div>\n\n____________________________________________________________<\/div>\n<\/div>\nChainsaws Were Singing<\/b><\/h3>\nEstonia<\/i><\/div>\n117 min<\/i><\/div>\nSander Maran<\/i><\/div>\n <\/div>\nThe Texas Chainsaw Massacre has spawned many exotic offspring, but this has got to be one of the best, plus it\u2019s a musical. The shift from dialogue to verse to song is faultlessly done. The humour is black, brutal and disgusting; the 2 shitty cops are priceless. The lingering question: to a cannibal, does hippie meat really taste of weed?<\/div>\n\n____________________________________________________________<\/div>\n<\/div>\nDead White & Blue<\/b><\/h3>\nUS<\/i><\/div>\n124 min<\/i><\/div>\nMike Davis<\/i><\/div>\n <\/div>\nThis sublimely inventive satire of propaganda film starts with black boys watching a KKK recruitment ad (\u201cNo more white sheets, the New Klan in active wear with style and technology..\u201d) and blooms into a military plan to use a Sioux sacred ceremony to shrink a whole army to battle the KKK inside a dead black man\u2019s body. Much of it is freely-dubbed old video tape footage, a pseudo-doc a la Pink Flamingo with deadpan dialogue and 1970\u2019s clothes.<\/div>\n\n____________________________________________________________<\/div>\n<\/div>\nDuck Rabbit<\/b><\/h3>\nUS<\/i><\/div>\n116 min<\/i><\/div>\nMichael Lee<\/i><\/div>\n <\/div>\n\nAfter drinking psychedelic tea, 3 women take forever to deliver a prop sofa to the village playhouse, ruled by a pompous wannabe Shakespearean. The lemonade kid is one nasty character. Some excellent stoner scenes including The Lost Chicken crossing the road to Ride of the Valkyrie<\/i>.<\/p>\n____________________________________________________________<\/div>\n<\/div>\nKuppan<\/b><\/h3>\nIndia<\/i><\/div>\n137 min<\/i><\/div>\nSasikumar S<\/i>.<\/i><\/div>\n <\/div>\nA low-cast dwarf street drummer\u2014lowest of the low, is accused of raping and beheading his own angelic daughter. <\/span>Sort of Tamil Masala Western with Bollywood villains and powerful songs, this disturbing witch-hunt of a moral-horror movie is not stylish-slick but has visual power and many unforgettable scenes. Plots, subplots, twists and turns; the English subtitles are too quick, but we don\u2019t care as we take in the intensity\u2014the brutality, the insanity, the tyranny. The songs are wonderful, especially the monstrous Pigeon Dance Man\u2019s macabre pre-rape signature tune.<\/div>\n\n____________________________________________________________<\/div>\n<\/div>\nNext<\/b><\/h3>\nUS<\/i><\/div>\n98 min<\/i><\/div>\nBrad Cook<\/i><\/div>\n <\/div>\nThe brainworm guy finds a camera at the bus stop and with his fat woman friend (lovely chemistry; great hotdog eating scene) decide to save people by filming them, thereby capturing their pain which they bless and bury in the ground along with the memory card. But in the woods they also find cash tied to bits of corpses\u2014tossed from a celebrity artist\u2019s studio full of spooky hooded mannequins. Mum issues on steroids.<\/div>\n\n____________________________________________________________<\/div>\n<\/div>\nPariah to Profit: Accepting the Power of Marijuana<\/b><\/h3>\nUS<\/i><\/div>\n63 min, documentary<\/i><\/div>\nJesse Tunison, Natec Linda Penn<\/i><\/div>\n <\/div>\nMarijuana is the least toxic substance in all pharmacology; the longest available medicine that we know of from prehistoric times, says one doctor from Harvard Medical School. \u201cThat is not a drug. It\u2019s a leaf,\u201d says California governor Arnold Schwarzenegger. It\u2019s a very technical but utterly absorbing lecture that really makes you feel the total obscenity and absurdity of banning and demonizing the Kind Medicine. The end credits over weed being ground down is very appetizing, shall we say. (BB: \u201cThe best medical marijuana documentary I\u2019ve ever seen.\u201d)<\/div>\n\n____________________________________________________________<\/div>\n<\/div>\nTransference<\/b><\/h3>\nUS<\/i><\/div>\n102 min<\/i><\/div>\nZeph E Daniel<\/i><\/div>\n <\/div>\nThe screening notes drip with blood: \u201cSex and gore fest, interesting. Everyone in the film seems to have uncontrollable sex drives.\u201d An oppressed Hispanic immigrant nurse looks after a sick rich woman, bringing her back to life from near-death. Class rage, sex rage, abusive ex-husbands, lesbian menage a trois in an ocean-view house in Hawaii, as lives, and perhaps bodies, are taken over in disturbing ways.<\/div>\n\n____________________________________________________________<\/div>\n<\/div>\nWhiskey Dixie & The Big Wet Country<\/b><\/h3>\nUS<\/i><\/div>\n114 min<\/i><\/div>\nAmanda Richards<\/i><\/div>\n <\/div>\n\u201cAn over-the-top sex-positive musical comedy,\u201d is how the film\u2019s director, composer and star Amanda Richards describes it. Yes, it\u2019s another crazy musical. Woman in red dress driving a red open sportscar with a dildo inside her sings the opening number: \u201cComing at high speed!\u201d While it projects itself as a tacky porno movie, the songs, including the one about premature ejaculation and the love theme \u2018Fuck this night!\u2019 are so amazing that we buy it totally, even if the dialogue scenes and the DP can\u2019t measure up. <\/span><\/div>\n____________________________________________________________<\/div>\n](\"https:\/\/www.cinemaoasis.com\/wp-content\/gallery\/asmf05_feature\/Intro_Feature-06.jpg\"\n){kind=link}
![\n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\t\t\n\t\t\t\t \n \n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\t\t\n\t\t\t\t \n \n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\t\t\n\t\t\t\t \n \n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\t\t\n\t\t\t\t \n \n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\n\t\t\n\t<\/div>\t<\/div>\n____________________________________________________________<\/p><\/div>\nAdhura Khvaab<\/b><\/h3>\nIndia<\/i><\/div>\n110 min<\/i><\/div>\nFaizuddin Siddiqui<\/i><\/div>\n <\/div>\nIt doesn\u2019t sound like it but it\u2019s a total stoner movie because of the spectacular apparently True Story ending. Nasty mother-in-law from hell abetted by brat daughter browbeats daughter-in law Ruby \u201cthe barren girl\u201d and urges her son to take another, fertile wife as his religion permits. But he loves her. Despite the life insurance commercial treacly piano, despite the IVF song, it keeps us watching, mesmerised by hysteria and intensity as grief piles upon outrage after outrage and Ruby is taken into the mafia mansion in full chador with only her eyes, in full panic, visible.<\/div>\n____________________________________________________________<\/div>\nBUGSYDER: The Crazy Hero<\/b><\/h3>\nThai<\/i><\/div>\n92 min<\/i><\/div>\nTheppanom Piriyaworakul<\/i><\/div>\n <\/div>\nThe humour, the anarchy, the glorious fun\u2014its tagline says it all: \u201cOf the Psycho Who Steals Underwear\u201d. Total absurdity right off the bat, as a suited pervert harassing stewardesses in a white aeroplane suddenly finds himself dropped among buffaloes in a field in Isan. Iconic Isan farang movie star Martin Wheeler is the village headman who can\u2019t live without inhaling his wife\u2019s cleavage. Despite the cartoonish, sped-up and silly veneer, it has strong resonance, as in the psycho freak-out scene amidst ancient ruins. Plus the cast of great faces, the acting, the camera placement and editing in this shoestring movie outshine most big budget Thai films.<\/div>\n\n____________________________________________________________<\/div>\n<\/div>\nChainsaws Were Singing<\/b><\/h3>\nEstonia<\/i><\/div>\n117 min<\/i><\/div>\nSander Maran<\/i><\/div>\n <\/div>\nThe Texas Chainsaw Massacre has spawned many exotic offspring, but this has got to be one of the best, plus it\u2019s a musical. The shift from dialogue to verse to song is faultlessly done. The humour is black, brutal and disgusting; the 2 shitty cops are priceless. The lingering question: to a cannibal, does hippie meat really taste of weed?<\/div>\n\n____________________________________________________________<\/div>\n<\/div>\nDead White & Blue<\/b><\/h3>\nUS<\/i><\/div>\n124 min<\/i><\/div>\nMike Davis<\/i><\/div>\n <\/div>\nThis sublimely inventive satire of propaganda film starts with black boys watching a KKK recruitment ad (\u201cNo more white sheets, the New Klan in active wear with style and technology..\u201d) and blooms into a military plan to use a Sioux sacred ceremony to shrink a whole army to battle the KKK inside a dead black man\u2019s body. Much of it is freely-dubbed old video tape footage, a pseudo-doc a la Pink Flamingo with deadpan dialogue and 1970\u2019s clothes.<\/div>\n\n____________________________________________________________<\/div>\n<\/div>\nDuck Rabbit<\/b><\/h3>\nUS<\/i><\/div>\n116 min<\/i><\/div>\nMichael Lee<\/i><\/div>\n <\/div>\n\nAfter drinking psychedelic tea, 3 women take forever to deliver a prop sofa to the village playhouse, ruled by a pompous wannabe Shakespearean. The lemonade kid is one nasty character. Some excellent stoner scenes including The Lost Chicken crossing the road to Ride of the Valkyrie<\/i>.<\/p>\n____________________________________________________________<\/div>\n<\/div>\nKuppan<\/b><\/h3>\nIndia<\/i><\/div>\n137 min<\/i><\/div>\nSasikumar S<\/i>.<\/i><\/div>\n <\/div>\nA low-cast dwarf street drummer\u2014lowest of the low, is accused of raping and beheading his own angelic daughter. <\/span>Sort of Tamil Masala Western with Bollywood villains and powerful songs, this disturbing witch-hunt of a moral-horror movie is not stylish-slick but has visual power and many unforgettable scenes. Plots, subplots, twists and turns; the English subtitles are too quick, but we don\u2019t care as we take in the intensity\u2014the brutality, the insanity, the tyranny. The songs are wonderful, especially the monstrous Pigeon Dance Man\u2019s macabre pre-rape signature tune.<\/div>\n\n____________________________________________________________<\/div>\n<\/div>\nNext<\/b><\/h3>\nUS<\/i><\/div>\n98 min<\/i><\/div>\nBrad Cook<\/i><\/div>\n <\/div>\nThe brainworm guy finds a camera at the bus stop and with his fat woman friend (lovely chemistry; great hotdog eating scene) decide to save people by filming them, thereby capturing their pain which they bless and bury in the ground along with the memory card. But in the woods they also find cash tied to bits of corpses\u2014tossed from a celebrity artist\u2019s studio full of spooky hooded mannequins. Mum issues on steroids.<\/div>\n\n____________________________________________________________<\/div>\n<\/div>\nPariah to Profit: Accepting the Power of Marijuana<\/b><\/h3>\nUS<\/i><\/div>\n63 min, documentary<\/i><\/div>\nJesse Tunison, Natec Linda Penn<\/i><\/div>\n <\/div>\nMarijuana is the least toxic substance in all pharmacology; the longest available medicine that we know of from prehistoric times, says one doctor from Harvard Medical School. \u201cThat is not a drug. It\u2019s a leaf,\u201d says California governor Arnold Schwarzenegger. It\u2019s a very technical but utterly absorbing lecture that really makes you feel the total obscenity and absurdity of banning and demonizing the Kind Medicine. The end credits over weed being ground down is very appetizing, shall we say. (BB: \u201cThe best medical marijuana documentary I\u2019ve ever seen.\u201d)<\/div>\n\n____________________________________________________________<\/div>\n<\/div>\nTransference<\/b><\/h3>\nUS<\/i><\/div>\n102 min<\/i><\/div>\nZeph E Daniel<\/i><\/div>\n <\/div>\nThe screening notes drip with blood: \u201cSex and gore fest, interesting. Everyone in the film seems to have uncontrollable sex drives.\u201d An oppressed Hispanic immigrant nurse looks after a sick rich woman, bringing her back to life from near-death. Class rage, sex rage, abusive ex-husbands, lesbian menage a trois in an ocean-view house in Hawaii, as lives, and perhaps bodies, are taken over in disturbing ways.<\/div>\n\n____________________________________________________________<\/div>\n<\/div>\nWhiskey Dixie & The Big Wet Country<\/b><\/h3>\nUS<\/i><\/div>\n114 min<\/i><\/div>\nAmanda Richards<\/i><\/div>\n <\/div>\n\u201cAn over-the-top sex-positive musical comedy,\u201d is how the film\u2019s director, composer and star Amanda Richards describes it. Yes, it\u2019s another crazy musical. Woman in red dress driving a red open sportscar with a dildo inside her sings the opening number: \u201cComing at high speed!\u201d While it projects itself as a tacky porno movie, the songs, including the one about premature ejaculation and the love theme \u2018Fuck this night!\u2019 are so amazing that we buy it totally, even if the dialogue scenes and the DP can\u2019t measure up. <\/span><\/div>\n____________________________________________________________<\/div>\n](\"https:\/\/www.cinemaoasis.com\/wp-content\/gallery\/asmf05_feature\/Intro_Feature-09.jpg\"\n){kind=link}
![\n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\t\t\n\t\t\t\t \n \n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\t\t\n\t\t\t\t \n \n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\t\t\n\t\t\t\t \n \n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\n\t\t\n\t<\/div>\t<\/div>\n____________________________________________________________<\/p><\/div>\nAdhura Khvaab<\/b><\/h3>\nIndia<\/i><\/div>\n110 min<\/i><\/div>\nFaizuddin Siddiqui<\/i><\/div>\n <\/div>\nIt doesn\u2019t sound like it but it\u2019s a total stoner movie because of the spectacular apparently True Story ending. Nasty mother-in-law from hell abetted by brat daughter browbeats daughter-in law Ruby \u201cthe barren girl\u201d and urges her son to take another, fertile wife as his religion permits. But he loves her. Despite the life insurance commercial treacly piano, despite the IVF song, it keeps us watching, mesmerised by hysteria and intensity as grief piles upon outrage after outrage and Ruby is taken into the mafia mansion in full chador with only her eyes, in full panic, visible.<\/div>\n____________________________________________________________<\/div>\nBUGSYDER: The Crazy Hero<\/b><\/h3>\nThai<\/i><\/div>\n92 min<\/i><\/div>\nTheppanom Piriyaworakul<\/i><\/div>\n <\/div>\nThe humour, the anarchy, the glorious fun\u2014its tagline says it all: \u201cOf the Psycho Who Steals Underwear\u201d. Total absurdity right off the bat, as a suited pervert harassing stewardesses in a white aeroplane suddenly finds himself dropped among buffaloes in a field in Isan. Iconic Isan farang movie star Martin Wheeler is the village headman who can\u2019t live without inhaling his wife\u2019s cleavage. Despite the cartoonish, sped-up and silly veneer, it has strong resonance, as in the psycho freak-out scene amidst ancient ruins. Plus the cast of great faces, the acting, the camera placement and editing in this shoestring movie outshine most big budget Thai films.<\/div>\n\n____________________________________________________________<\/div>\n<\/div>\nChainsaws Were Singing<\/b><\/h3>\nEstonia<\/i><\/div>\n117 min<\/i><\/div>\nSander Maran<\/i><\/div>\n <\/div>\nThe Texas Chainsaw Massacre has spawned many exotic offspring, but this has got to be one of the best, plus it\u2019s a musical. The shift from dialogue to verse to song is faultlessly done. The humour is black, brutal and disgusting; the 2 shitty cops are priceless. The lingering question: to a cannibal, does hippie meat really taste of weed?<\/div>\n\n____________________________________________________________<\/div>\n<\/div>\nDead White & Blue<\/b><\/h3>\nUS<\/i><\/div>\n124 min<\/i><\/div>\nMike Davis<\/i><\/div>\n <\/div>\nThis sublimely inventive satire of propaganda film starts with black boys watching a KKK recruitment ad (\u201cNo more white sheets, the New Klan in active wear with style and technology..\u201d) and blooms into a military plan to use a Sioux sacred ceremony to shrink a whole army to battle the KKK inside a dead black man\u2019s body. Much of it is freely-dubbed old video tape footage, a pseudo-doc a la Pink Flamingo with deadpan dialogue and 1970\u2019s clothes.<\/div>\n\n____________________________________________________________<\/div>\n<\/div>\nDuck Rabbit<\/b><\/h3>\nUS<\/i><\/div>\n116 min<\/i><\/div>\nMichael Lee<\/i><\/div>\n <\/div>\n\nAfter drinking psychedelic tea, 3 women take forever to deliver a prop sofa to the village playhouse, ruled by a pompous wannabe Shakespearean. The lemonade kid is one nasty character. Some excellent stoner scenes including The Lost Chicken crossing the road to Ride of the Valkyrie<\/i>.<\/p>\n____________________________________________________________<\/div>\n<\/div>\nKuppan<\/b><\/h3>\nIndia<\/i><\/div>\n137 min<\/i><\/div>\nSasikumar S<\/i>.<\/i><\/div>\n <\/div>\nA low-cast dwarf street drummer\u2014lowest of the low, is accused of raping and beheading his own angelic daughter. <\/span>Sort of Tamil Masala Western with Bollywood villains and powerful songs, this disturbing witch-hunt of a moral-horror movie is not stylish-slick but has visual power and many unforgettable scenes. Plots, subplots, twists and turns; the English subtitles are too quick, but we don\u2019t care as we take in the intensity\u2014the brutality, the insanity, the tyranny. The songs are wonderful, especially the monstrous Pigeon Dance Man\u2019s macabre pre-rape signature tune.<\/div>\n\n____________________________________________________________<\/div>\n<\/div>\nNext<\/b><\/h3>\nUS<\/i><\/div>\n98 min<\/i><\/div>\nBrad Cook<\/i><\/div>\n <\/div>\nThe brainworm guy finds a camera at the bus stop and with his fat woman friend (lovely chemistry; great hotdog eating scene) decide to save people by filming them, thereby capturing their pain which they bless and bury in the ground along with the memory card. But in the woods they also find cash tied to bits of corpses\u2014tossed from a celebrity artist\u2019s studio full of spooky hooded mannequins. Mum issues on steroids.<\/div>\n\n____________________________________________________________<\/div>\n<\/div>\nPariah to Profit: Accepting the Power of Marijuana<\/b><\/h3>\nUS<\/i><\/div>\n63 min, documentary<\/i><\/div>\nJesse Tunison, Natec Linda Penn<\/i><\/div>\n <\/div>\nMarijuana is the least toxic substance in all pharmacology; the longest available medicine that we know of from prehistoric times, says one doctor from Harvard Medical School. \u201cThat is not a drug. It\u2019s a leaf,\u201d says California governor Arnold Schwarzenegger. It\u2019s a very technical but utterly absorbing lecture that really makes you feel the total obscenity and absurdity of banning and demonizing the Kind Medicine. The end credits over weed being ground down is very appetizing, shall we say. (BB: \u201cThe best medical marijuana documentary I\u2019ve ever seen.\u201d)<\/div>\n\n____________________________________________________________<\/div>\n<\/div>\nTransference<\/b><\/h3>\nUS<\/i><\/div>\n102 min<\/i><\/div>\nZeph E Daniel<\/i><\/div>\n <\/div>\nThe screening notes drip with blood: \u201cSex and gore fest, interesting. Everyone in the film seems to have uncontrollable sex drives.\u201d An oppressed Hispanic immigrant nurse looks after a sick rich woman, bringing her back to life from near-death. Class rage, sex rage, abusive ex-husbands, lesbian menage a trois in an ocean-view house in Hawaii, as lives, and perhaps bodies, are taken over in disturbing ways.<\/div>\n\n____________________________________________________________<\/div>\n<\/div>\nWhiskey Dixie & The Big Wet Country<\/b><\/h3>\nUS<\/i><\/div>\n114 min<\/i><\/div>\nAmanda Richards<\/i><\/div>\n <\/div>\n\u201cAn over-the-top sex-positive musical comedy,\u201d is how the film\u2019s director, composer and star Amanda Richards describes it. Yes, it\u2019s another crazy musical. Woman in red dress driving a red open sportscar with a dildo inside her sings the opening number: \u201cComing at high speed!\u201d While it projects itself as a tacky porno movie, the songs, including the one about premature ejaculation and the love theme \u2018Fuck this night!\u2019 are so amazing that we buy it totally, even if the dialogue scenes and the DP can\u2019t measure up. <\/span><\/div>\n____________________________________________________________<\/div>\n](\"https:\/\/www.cinemaoasis.com\/wp-content\/gallery\/asmf05_feature\/Intro_Feature-10.jpg\"\n){kind=link}
![\n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\t\t\n\t\t\t\t \n \n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\t\t\n\t\t\t\t \n \n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\n\t\t\n\t<\/div>\t<\/div>\n____________________________________________________________<\/p><\/div>\nAdhura Khvaab<\/b><\/h3>\nIndia<\/i><\/div>\n110 min<\/i><\/div>\nFaizuddin Siddiqui<\/i><\/div>\n <\/div>\nIt doesn\u2019t sound like it but it\u2019s a total stoner movie because of the spectacular apparently True Story ending. Nasty mother-in-law from hell abetted by brat daughter browbeats daughter-in law Ruby \u201cthe barren girl\u201d and urges her son to take another, fertile wife as his religion permits. But he loves her. Despite the life insurance commercial treacly piano, despite the IVF song, it keeps us watching, mesmerised by hysteria and intensity as grief piles upon outrage after outrage and Ruby is taken into the mafia mansion in full chador with only her eyes, in full panic, visible.<\/div>\n____________________________________________________________<\/div>\nBUGSYDER: The Crazy Hero<\/b><\/h3>\nThai<\/i><\/div>\n92 min<\/i><\/div>\nTheppanom Piriyaworakul<\/i><\/div>\n <\/div>\nThe humour, the anarchy, the glorious fun\u2014its tagline says it all: \u201cOf the Psycho Who Steals Underwear\u201d. Total absurdity right off the bat, as a suited pervert harassing stewardesses in a white aeroplane suddenly finds himself dropped among buffaloes in a field in Isan. Iconic Isan farang movie star Martin Wheeler is the village headman who can\u2019t live without inhaling his wife\u2019s cleavage. Despite the cartoonish, sped-up and silly veneer, it has strong resonance, as in the psycho freak-out scene amidst ancient ruins. Plus the cast of great faces, the acting, the camera placement and editing in this shoestring movie outshine most big budget Thai films.<\/div>\n\n____________________________________________________________<\/div>\n<\/div>\nChainsaws Were Singing<\/b><\/h3>\nEstonia<\/i><\/div>\n117 min<\/i><\/div>\nSander Maran<\/i><\/div>\n <\/div>\nThe Texas Chainsaw Massacre has spawned many exotic offspring, but this has got to be one of the best, plus it\u2019s a musical. The shift from dialogue to verse to song is faultlessly done. The humour is black, brutal and disgusting; the 2 shitty cops are priceless. The lingering question: to a cannibal, does hippie meat really taste of weed?<\/div>\n\n____________________________________________________________<\/div>\n<\/div>\nDead White & Blue<\/b><\/h3>\nUS<\/i><\/div>\n124 min<\/i><\/div>\nMike Davis<\/i><\/div>\n <\/div>\nThis sublimely inventive satire of propaganda film starts with black boys watching a KKK recruitment ad (\u201cNo more white sheets, the New Klan in active wear with style and technology..\u201d) and blooms into a military plan to use a Sioux sacred ceremony to shrink a whole army to battle the KKK inside a dead black man\u2019s body. Much of it is freely-dubbed old video tape footage, a pseudo-doc a la Pink Flamingo with deadpan dialogue and 1970\u2019s clothes.<\/div>\n\n____________________________________________________________<\/div>\n<\/div>\nDuck Rabbit<\/b><\/h3>\nUS<\/i><\/div>\n116 min<\/i><\/div>\nMichael Lee<\/i><\/div>\n <\/div>\n\nAfter drinking psychedelic tea, 3 women take forever to deliver a prop sofa to the village playhouse, ruled by a pompous wannabe Shakespearean. The lemonade kid is one nasty character. Some excellent stoner scenes including The Lost Chicken crossing the road to Ride of the Valkyrie<\/i>.<\/p>\n____________________________________________________________<\/div>\n<\/div>\nKuppan<\/b><\/h3>\nIndia<\/i><\/div>\n137 min<\/i><\/div>\nSasikumar S<\/i>.<\/i><\/div>\n <\/div>\nA low-cast dwarf street drummer\u2014lowest of the low, is accused of raping and beheading his own angelic daughter. <\/span>Sort of Tamil Masala Western with Bollywood villains and powerful songs, this disturbing witch-hunt of a moral-horror movie is not stylish-slick but has visual power and many unforgettable scenes. Plots, subplots, twists and turns; the English subtitles are too quick, but we don\u2019t care as we take in the intensity\u2014the brutality, the insanity, the tyranny. The songs are wonderful, especially the monstrous Pigeon Dance Man\u2019s macabre pre-rape signature tune.<\/div>\n\n____________________________________________________________<\/div>\n<\/div>\nNext<\/b><\/h3>\nUS<\/i><\/div>\n98 min<\/i><\/div>\nBrad Cook<\/i><\/div>\n <\/div>\nThe brainworm guy finds a camera at the bus stop and with his fat woman friend (lovely chemistry; great hotdog eating scene) decide to save people by filming them, thereby capturing their pain which they bless and bury in the ground along with the memory card. But in the woods they also find cash tied to bits of corpses\u2014tossed from a celebrity artist\u2019s studio full of spooky hooded mannequins. Mum issues on steroids.<\/div>\n\n____________________________________________________________<\/div>\n<\/div>\nPariah to Profit: Accepting the Power of Marijuana<\/b><\/h3>\nUS<\/i><\/div>\n63 min, documentary<\/i><\/div>\nJesse Tunison, Natec Linda Penn<\/i><\/div>\n <\/div>\nMarijuana is the least toxic substance in all pharmacology; the longest available medicine that we know of from prehistoric times, says one doctor from Harvard Medical School. \u201cThat is not a drug. It\u2019s a leaf,\u201d says California governor Arnold Schwarzenegger. It\u2019s a very technical but utterly absorbing lecture that really makes you feel the total obscenity and absurdity of banning and demonizing the Kind Medicine. The end credits over weed being ground down is very appetizing, shall we say. (BB: \u201cThe best medical marijuana documentary I\u2019ve ever seen.\u201d)<\/div>\n\n____________________________________________________________<\/div>\n<\/div>\nTransference<\/b><\/h3>\nUS<\/i><\/div>\n102 min<\/i><\/div>\nZeph E Daniel<\/i><\/div>\n <\/div>\nThe screening notes drip with blood: \u201cSex and gore fest, interesting. Everyone in the film seems to have uncontrollable sex drives.\u201d An oppressed Hispanic immigrant nurse looks after a sick rich woman, bringing her back to life from near-death. Class rage, sex rage, abusive ex-husbands, lesbian menage a trois in an ocean-view house in Hawaii, as lives, and perhaps bodies, are taken over in disturbing ways.<\/div>\n\n____________________________________________________________<\/div>\n<\/div>\nWhiskey Dixie & The Big Wet Country<\/b><\/h3>\nUS<\/i><\/div>\n114 min<\/i><\/div>\nAmanda Richards<\/i><\/div>\n <\/div>\n\u201cAn over-the-top sex-positive musical comedy,\u201d is how the film\u2019s director, composer and star Amanda Richards describes it. Yes, it\u2019s another crazy musical. Woman in red dress driving a red open sportscar with a dildo inside her sings the opening number: \u201cComing at high speed!\u201d While it projects itself as a tacky porno movie, the songs, including the one about premature ejaculation and the love theme \u2018Fuck this night!\u2019 are so amazing that we buy it totally, even if the dialogue scenes and the DP can\u2019t measure up. <\/span><\/div>\n____________________________________________________________<\/div>\n](\"https:\/\/www.cinemaoasis.com\/wp-content\/gallery\/asmf05_feature\/Intro_Feature-11.jpg\"\n){kind=link}
![\n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\t\t\n\t\t\t\t \n \n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\n\t\t\n\t<\/div>\t<\/div>\n____________________________________________________________<\/p><\/div>\nAdhura Khvaab<\/b><\/h3>\nIndia<\/i><\/div>\n110 min<\/i><\/div>\nFaizuddin Siddiqui<\/i><\/div>\n <\/div>\nIt doesn\u2019t sound like it but it\u2019s a total stoner movie because of the spectacular apparently True Story ending. Nasty mother-in-law from hell abetted by brat daughter browbeats daughter-in law Ruby \u201cthe barren girl\u201d and urges her son to take another, fertile wife as his religion permits. But he loves her. Despite the life insurance commercial treacly piano, despite the IVF song, it keeps us watching, mesmerised by hysteria and intensity as grief piles upon outrage after outrage and Ruby is taken into the mafia mansion in full chador with only her eyes, in full panic, visible.<\/div>\n____________________________________________________________<\/div>\nBUGSYDER: The Crazy Hero<\/b><\/h3>\nThai<\/i><\/div>\n92 min<\/i><\/div>\nTheppanom Piriyaworakul<\/i><\/div>\n <\/div>\nThe humour, the anarchy, the glorious fun\u2014its tagline says it all: \u201cOf the Psycho Who Steals Underwear\u201d. Total absurdity right off the bat, as a suited pervert harassing stewardesses in a white aeroplane suddenly finds himself dropped among buffaloes in a field in Isan. Iconic Isan farang movie star Martin Wheeler is the village headman who can\u2019t live without inhaling his wife\u2019s cleavage. Despite the cartoonish, sped-up and silly veneer, it has strong resonance, as in the psycho freak-out scene amidst ancient ruins. Plus the cast of great faces, the acting, the camera placement and editing in this shoestring movie outshine most big budget Thai films.<\/div>\n\n____________________________________________________________<\/div>\n<\/div>\nChainsaws Were Singing<\/b><\/h3>\nEstonia<\/i><\/div>\n117 min<\/i><\/div>\nSander Maran<\/i><\/div>\n <\/div>\nThe Texas Chainsaw Massacre has spawned many exotic offspring, but this has got to be one of the best, plus it\u2019s a musical. The shift from dialogue to verse to song is faultlessly done. The humour is black, brutal and disgusting; the 2 shitty cops are priceless. The lingering question: to a cannibal, does hippie meat really taste of weed?<\/div>\n\n____________________________________________________________<\/div>\n<\/div>\nDead White & Blue<\/b><\/h3>\nUS<\/i><\/div>\n124 min<\/i><\/div>\nMike Davis<\/i><\/div>\n <\/div>\nThis sublimely inventive satire of propaganda film starts with black boys watching a KKK recruitment ad (\u201cNo more white sheets, the New Klan in active wear with style and technology..\u201d) and blooms into a military plan to use a Sioux sacred ceremony to shrink a whole army to battle the KKK inside a dead black man\u2019s body. Much of it is freely-dubbed old video tape footage, a pseudo-doc a la Pink Flamingo with deadpan dialogue and 1970\u2019s clothes.<\/div>\n\n____________________________________________________________<\/div>\n<\/div>\nDuck Rabbit<\/b><\/h3>\nUS<\/i><\/div>\n116 min<\/i><\/div>\nMichael Lee<\/i><\/div>\n <\/div>\n\nAfter drinking psychedelic tea, 3 women take forever to deliver a prop sofa to the village playhouse, ruled by a pompous wannabe Shakespearean. The lemonade kid is one nasty character. Some excellent stoner scenes including The Lost Chicken crossing the road to Ride of the Valkyrie<\/i>.<\/p>\n____________________________________________________________<\/div>\n<\/div>\nKuppan<\/b><\/h3>\nIndia<\/i><\/div>\n137 min<\/i><\/div>\nSasikumar S<\/i>.<\/i><\/div>\n <\/div>\nA low-cast dwarf street drummer\u2014lowest of the low, is accused of raping and beheading his own angelic daughter. <\/span>Sort of Tamil Masala Western with Bollywood villains and powerful songs, this disturbing witch-hunt of a moral-horror movie is not stylish-slick but has visual power and many unforgettable scenes. Plots, subplots, twists and turns; the English subtitles are too quick, but we don\u2019t care as we take in the intensity\u2014the brutality, the insanity, the tyranny. The songs are wonderful, especially the monstrous Pigeon Dance Man\u2019s macabre pre-rape signature tune.<\/div>\n\n____________________________________________________________<\/div>\n<\/div>\nNext<\/b><\/h3>\nUS<\/i><\/div>\n98 min<\/i><\/div>\nBrad Cook<\/i><\/div>\n <\/div>\nThe brainworm guy finds a camera at the bus stop and with his fat woman friend (lovely chemistry; great hotdog eating scene) decide to save people by filming them, thereby capturing their pain which they bless and bury in the ground along with the memory card. But in the woods they also find cash tied to bits of corpses\u2014tossed from a celebrity artist\u2019s studio full of spooky hooded mannequins. Mum issues on steroids.<\/div>\n\n____________________________________________________________<\/div>\n<\/div>\nPariah to Profit: Accepting the Power of Marijuana<\/b><\/h3>\nUS<\/i><\/div>\n63 min, documentary<\/i><\/div>\nJesse Tunison, Natec Linda Penn<\/i><\/div>\n <\/div>\nMarijuana is the least toxic substance in all pharmacology; the longest available medicine that we know of from prehistoric times, says one doctor from Harvard Medical School. \u201cThat is not a drug. It\u2019s a leaf,\u201d says California governor Arnold Schwarzenegger. It\u2019s a very technical but utterly absorbing lecture that really makes you feel the total obscenity and absurdity of banning and demonizing the Kind Medicine. The end credits over weed being ground down is very appetizing, shall we say. (BB: \u201cThe best medical marijuana documentary I\u2019ve ever seen.\u201d)<\/div>\n\n____________________________________________________________<\/div>\n<\/div>\nTransference<\/b><\/h3>\nUS<\/i><\/div>\n102 min<\/i><\/div>\nZeph E Daniel<\/i><\/div>\n <\/div>\nThe screening notes drip with blood: \u201cSex and gore fest, interesting. Everyone in the film seems to have uncontrollable sex drives.\u201d An oppressed Hispanic immigrant nurse looks after a sick rich woman, bringing her back to life from near-death. Class rage, sex rage, abusive ex-husbands, lesbian menage a trois in an ocean-view house in Hawaii, as lives, and perhaps bodies, are taken over in disturbing ways.<\/div>\n\n____________________________________________________________<\/div>\n<\/div>\nWhiskey Dixie & The Big Wet Country<\/b><\/h3>\nUS<\/i><\/div>\n114 min<\/i><\/div>\nAmanda Richards<\/i><\/div>\n <\/div>\n\u201cAn over-the-top sex-positive musical comedy,\u201d is how the film\u2019s director, composer and star Amanda Richards describes it. Yes, it\u2019s another crazy musical. Woman in red dress driving a red open sportscar with a dildo inside her sings the opening number: \u201cComing at high speed!\u201d While it projects itself as a tacky porno movie, the songs, including the one about premature ejaculation and the love theme \u2018Fuck this night!\u2019 are so amazing that we buy it totally, even if the dialogue scenes and the DP can\u2019t measure up. <\/span><\/div>\n____________________________________________________________<\/div>\n](\"https:\/\/www.cinemaoasis.com\/wp-content\/gallery\/asmf05_feature\/Intro_Feature-12.jpg\"\n){kind=link}
![\n \n <\/a>\n <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n \n\t\t\n\t\t\n\t<\/div>\t<\/div>\n____________________________________________________________<\/p><\/div>\nAdhura Khvaab<\/b><\/h3>\nIndia<\/i><\/div>\n110 min<\/i><\/div>\nFaizuddin Siddiqui<\/i><\/div>\n <\/div>\nIt doesn\u2019t sound like it but it\u2019s a total stoner movie because of the spectacular apparently True Story ending. Nasty mother-in-law from hell abetted by brat daughter browbeats daughter-in law Ruby \u201cthe barren girl\u201d and urges her son to take another, fertile wife as his religion permits. But he loves her. Despite the life insurance commercial treacly piano, despite the IVF song, it keeps us watching, mesmerised by hysteria and intensity as grief piles upon outrage after outrage and Ruby is taken into the mafia mansion in full chador with only her eyes, in full panic, visible.<\/div>\n____________________________________________________________<\/div>\nBUGSYDER: The Crazy Hero<\/b><\/h3>\nThai<\/i><\/div>\n92 min<\/i><\/div>\nTheppanom Piriyaworakul<\/i><\/div>\n <\/div>\nThe humour, the anarchy, the glorious fun\u2014its tagline says it all: \u201cOf the Psycho Who Steals Underwear\u201d. Total absurdity right off the bat, as a suited pervert harassing stewardesses in a white aeroplane suddenly finds himself dropped among buffaloes in a field in Isan. Iconic Isan farang movie star Martin Wheeler is the village headman who can\u2019t live without inhaling his wife\u2019s cleavage. Despite the cartoonish, sped-up and silly veneer, it has strong resonance, as in the psycho freak-out scene amidst ancient ruins. Plus the cast of great faces, the acting, the camera placement and editing in this shoestring movie outshine most big budget Thai films.<\/div>\n\n____________________________________________________________<\/div>\n<\/div>\nChainsaws Were Singing<\/b><\/h3>\nEstonia<\/i><\/div>\n117 min<\/i><\/div>\nSander Maran<\/i><\/div>\n <\/div>\nThe Texas Chainsaw Massacre has spawned many exotic offspring, but this has got to be one of the best, plus it\u2019s a musical. The shift from dialogue to verse to song is faultlessly done. The humour is black, brutal and disgusting; the 2 shitty cops are priceless. The lingering question: to a cannibal, does hippie meat really taste of weed?<\/div>\n\n____________________________________________________________<\/div>\n<\/div>\nDead White & Blue<\/b><\/h3>\nUS<\/i><\/div>\n124 min<\/i><\/div>\nMike Davis<\/i><\/div>\n <\/div>\nThis sublimely inventive satire of propaganda film starts with black boys watching a KKK recruitment ad (\u201cNo more white sheets, the New Klan in active wear with style and technology..\u201d) and blooms into a military plan to use a Sioux sacred ceremony to shrink a whole army to battle the KKK inside a dead black man\u2019s body. Much of it is freely-dubbed old video tape footage, a pseudo-doc a la Pink Flamingo with deadpan dialogue and 1970\u2019s clothes.<\/div>\n\n____________________________________________________________<\/div>\n<\/div>\nDuck Rabbit<\/b><\/h3>\nUS<\/i><\/div>\n116 min<\/i><\/div>\nMichael Lee<\/i><\/div>\n <\/div>\n\nAfter drinking psychedelic tea, 3 women take forever to deliver a prop sofa to the village playhouse, ruled by a pompous wannabe Shakespearean. The lemonade kid is one nasty character. Some excellent stoner scenes including The Lost Chicken crossing the road to Ride of the Valkyrie<\/i>.<\/p>\n____________________________________________________________<\/div>\n<\/div>\nKuppan<\/b><\/h3>\nIndia<\/i><\/div>\n137 min<\/i><\/div>\nSasikumar S<\/i>.<\/i><\/div>\n <\/div>\nA low-cast dwarf street drummer\u2014lowest of the low, is accused of raping and beheading his own angelic daughter. <\/span>Sort of Tamil Masala Western with Bollywood villains and powerful songs, this disturbing witch-hunt of a moral-horror movie is not stylish-slick but has visual power and many unforgettable scenes. Plots, subplots, twists and turns; the English subtitles are too quick, but we don\u2019t care as we take in the intensity\u2014the brutality, the insanity, the tyranny. The songs are wonderful, especially the monstrous Pigeon Dance Man\u2019s macabre pre-rape signature tune.<\/div>\n\n____________________________________________________________<\/div>\n<\/div>\nNext<\/b><\/h3>\nUS<\/i><\/div>\n98 min<\/i><\/div>\nBrad Cook<\/i><\/div>\n <\/div>\nThe brainworm guy finds a camera at the bus stop and with his fat woman friend (lovely chemistry; great hotdog eating scene) decide to save people by filming them, thereby capturing their pain which they bless and bury in the ground along with the memory card. But in the woods they also find cash tied to bits of corpses\u2014tossed from a celebrity artist\u2019s studio full of spooky hooded mannequins. Mum issues on steroids.<\/div>\n\n____________________________________________________________<\/div>\n<\/div>\nPariah to Profit: Accepting the Power of Marijuana<\/b><\/h3>\nUS<\/i><\/div>\n63 min, documentary<\/i><\/div>\nJesse Tunison, Natec Linda Penn<\/i><\/div>\n <\/div>\nMarijuana is the least toxic substance in all pharmacology; the longest available medicine that we know of from prehistoric times, says one doctor from Harvard Medical School. \u201cThat is not a drug. It\u2019s a leaf,\u201d says California governor Arnold Schwarzenegger. It\u2019s a very technical but utterly absorbing lecture that really makes you feel the total obscenity and absurdity of banning and demonizing the Kind Medicine. The end credits over weed being ground down is very appetizing, shall we say. (BB: \u201cThe best medical marijuana documentary I\u2019ve ever seen.\u201d)<\/div>\n\n____________________________________________________________<\/div>\n<\/div>\nTransference<\/b><\/h3>\nUS<\/i><\/div>\n102 min<\/i><\/div>\nZeph E Daniel<\/i><\/div>\n <\/div>\nThe screening notes drip with blood: \u201cSex and gore fest, interesting. Everyone in the film seems to have uncontrollable sex drives.\u201d An oppressed Hispanic immigrant nurse looks after a sick rich woman, bringing her back to life from near-death. Class rage, sex rage, abusive ex-husbands, lesbian menage a trois in an ocean-view house in Hawaii, as lives, and perhaps bodies, are taken over in disturbing ways.<\/div>\n\n____________________________________________________________<\/div>\n<\/div>\nWhiskey Dixie & The Big Wet Country<\/b><\/h3>\nUS<\/i><\/div>\n114 min<\/i><\/div>\nAmanda Richards<\/i><\/div>\n <\/div>\n\u201cAn over-the-top sex-positive musical comedy,\u201d is how the film\u2019s director, composer and star Amanda Richards describes it. Yes, it\u2019s another crazy musical. Woman in red dress driving a red open sportscar with a dildo inside her sings the opening number: \u201cComing at high speed!\u201d While it projects itself as a tacky porno movie, the songs, including the one about premature ejaculation and the love theme \u2018Fuck this night!\u2019 are so amazing that we buy it totally, even if the dialogue scenes and the DP can\u2019t measure up. <\/span><\/div>\n____________________________________________________________<\/div>\n](\"https:\/\/www.cinemaoasis.com\/wp-content\/gallery\/asmf05_feature\/Intro_Feature-23.jpg\"\n){kind=link}